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I’m starting to relate more to the late-period Kerouac stuff in the way that I once related to the fun and excitement of the early material. There’s a darkness inside of me that I’m only now starting to come to grips with and accept. And it’s starting to scare me.

Ben Gibbard

I kind of dropped a lot of bad habits about three years ago and became kind of accidentally straight-edge. I don’t have Xs on my hands, but I guess if I wanted to go back to calling myself straight-edge, I could.
BEN GIBBARD

Habit Kind Running
Death Cab is a militantly analog band. We’ll continue moving forward with our sound, but there will be no crossover.
BEN GIBBARD

Band Moving Sound
The story of our band is that we were this relentless touring band in those early years. We were leaving day jobs and going off on the road and having fun and seeing the country for the first time.
BEN GIBBARD

Adventure Country Fun
A lot of the material is about the inevitable disappointment people feel as they move through life, and things don’t feel the way they expect. No experience will ever match up to the idealized version in your mind.
BEN GIBBARD

Disappointment Moving People
There’s a cinematic quality that happens in my mind when I hear something that really lands. An album is just a journal of a life moving through time.
BEN GIBBARD

Land Mind Moving
I can remember how I sang – a little more nasal-y back then. Listening to those old recordings is like seeing a photograph of yourself from 10 years ago. You’re wearing what you thought looked cool at the time. You had your hair styled the particular way you thought looked cool.
BEN GIBBARD

Cool Listening Mean Photograph Remember Year
Liking interesting things doesn’t make you interesting.
BEN GIBBARD

Interesting Liking Things
I feel like there’s a lot of beauty in the darkness of ‘Narrow Stairs,’ but that’s not really a place I’m ready to go to for a while. I’m interested in taking a different approach and having the next record be different in tone – I’m just not interested in making another dark, dark album.
BEN GIBBARD

Beauty Dark Next Tone
We never sit down before we start making a record and talk about this new sonic palette that we are going to try to explore. We always let the record kind of reveal itself to us over time.
BEN GIBBARD

Explore Kind Record Trying
The late ’90s were a really bad time for people trying to be rock stars, you know what I mean? It seemed like everyone was a one-hit wonder on the radio.
BEN GIBBARD

Ambition Country Mean
We were playing Chinese restaurants and basements and record stores and houses. We were crashing on floors and it was all new and exciting. It was like a vacation. It didn’t feel like work.
BEN GIBBARD

Basement Exciting House Record Restaurant Vacation
I’ve always had a soft spot for Phil Collins. He’s a great vocalist.
BEN GIBBARD

Great Spots Vocalist
You can’t please everybody all the time, but I think for the most part we tend to maintain a healthy level of self-reference to kind of make sure we continue to push things forward.
BEN GIBBARD

Healthy Self Thinking
I’m starting to relate more to the late-period Kerouac stuff in the way that I once related to the fun and excitement of the early material. There’s a darkness inside of me that I’m only now starting to come to grips with and accept. And it’s starting to scare me.
BEN GIBBARD

Darkness Early Inside Material
Anything was better than going to work. All those early tours before we made any money were more like vacations. I don’t think it was until 2001 that we pulled our heads out of the sand and were like, “What are we doing?”
BEN GIBBARD

Thinking Trying Vacation
The second ‘Postal Service’ album is threatening to become the ‘Chinese Democracy’ of indie rock. It will come out eventually, or maybe it won’t.
BEN GIBBARD

Chinese Indie Rock Rocks

I’m starting to relate more to the late-period Kerouac stuff in the way that I once related to the fun and excitement of the early material. There’s a darkness inside of me that I’m only now starting to come to grips with and accept. And it’s starting to scare me.

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I’m starting to relate more to the late-period Kerouac stuff in the way that I once related to the fun and excitement of the early material. There’s a darkness inside of me that I’m only now starting to come to grips with and accept. And it’s starting to scare me.

Related Topics

Popular Authors

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