We had friends who had a hit single on the radio and sold 500,000 records, and then they couldn’t get arrested a year later.
BEN GIBBARDTo set the record straight for the God knows millionth time, we certainly didnt sign to Atlantic just for the money.
More Ben Gibbard Quotes
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The story of our band is that we were this relentless touring band in those early years. We were leaving day jobs and going off on the road and having fun and seeing the country for the first time.
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Because of my age and what I do for a living and the amount of time that I’ve spent away from my family and loved ones.
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You spend hours alone, only with your thoughts, and you torture yourself. It’s a tendency of many writers to temper the self-destructive act of writing with other self-destructive acts. I certainly was one of those people for a long time.
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I’d like the songs to be more storytelling, but also have the turns of phrase within them that would hopefully distance my writing from the pack.
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Death Cab is a militantly analog band. We’ll continue moving forward with our sound, but there will be no crossover.
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I was literally just going and applying for jobs, and I couldn’t get a job, and I was getting more and more broke, and you find yourself groveling for jobs you don’t even want.
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I want so badly to believe that there is truth, that love is real. And I want life in every word to the extent that it’s absurd.
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We were playing Chinese restaurants and basements and record stores and houses. We were crashing on floors and it was all new and exciting. It was like a vacation. It didn’t feel like work.
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I like writing on piano and a computer, and a lot of ‘Plans’ came out of samples and vocal lines.
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I wonder what I was thinking when I was trying to say a particular thing. I hear some of the weird little nuances in the recording; I can hear what the room sounded like. I remember what it smelled like.
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You can’t please everybody all the time, but I think for the most part we tend to maintain a healthy level of self-reference to kind of make sure we continue to push things forward.
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The Photo Album is the weakest record. For the first time in our careers, we found ourselves with an economic incentive to be on the road and to be making albums.
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I feel that we are currently living in a world that is similar to late ’50s, early ’60s kind of world.
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We would scoff at the idea of a nice studio. “Why would you want to go to a nice studio? Oh wow, they have really expensive gear. Ooh, that’s really fancy. Well we’ve got an eight-track. We’ve got it going on here.”
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I think sometimes a narrative can come out of a single word.
BEN GIBBARD