We would scoff at the idea of a nice studio. “Why would you want to go to a nice studio? Oh wow, they have really expensive gear. Ooh, that’s really fancy. Well we’ve got an eight-track. We’ve got it going on here.”
BEN GIBBARDI have always been very open and earnest about some things in my life, some things that are not directly in my life, but they’re twirling around me at the time.
More Ben Gibbard Quotes
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I couldn’t wait to go on tour back then. I would be sitting at my day job or my apartment, just itching to go. There were so many adventures that were about to happen.
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Death Cab is a militantly analog band. We’ll continue moving forward with our sound, but there will be no crossover.
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I’ve always had a soft spot for Phil Collins. He’s a great vocalist.
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I don’t want to be overdramatic about it, but I’m starting to see a lot of my bad habits get the best of me.
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I just rediscovered my guitar.
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You remember that stuff and laugh about it now. You don’t feel it the way you did back then when you were so scared and nervous and tired and hungry.
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I’m a war of head versus heart, it’s always this way. My head is weak, my heart always speaks, before I know what it will say.
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I don’t hear it now the way I did when I was 20. I think it is undeniable that the songs have become more instantaneously descriptive and literal.
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We wanted to be like R.E.M., but the reality is that 15 years after R.E.M. was putting out those records, the playing field had changed drastically as well.
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I don’t think I was doing anything poorly at that time, but I can certainly see how my writing has changed.
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More times than not, it’s a failed endeavor. You will fail more times than you succeed. But I think you need those failed endeavors.
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Between every record, we all split off in our own world and we all end up listening to usually pretty different music on our own. We come together not really knowing what the other people having been really listening to and what’s been influencing them.
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We had friends who had a hit single on the radio and sold 500,000 records, and then they couldn’t get arrested a year later.
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I’m starting to relate more to the late-period Kerouac stuff in the way that I once related to the fun and excitement of the early material. There’s a darkness inside of me that I’m only now starting to come to grips with and accept. And it’s starting to scare me.
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There are the people that are like, “I want it to sound like the last one.” You can’t please everybody all the time, but I think for the most part we tend to maintain a healthy level of self-reference to kind of make sure we continue to push things forward.
BEN GIBBARD