At a certain point I decided to keep on because I felt like the work was getting better, and I was taking great pleasure in that.
BEN FOUNTAINYou’d think family would be the one sure thing in life, the gimme? Points you got just for being born? So much thick, meaty stuff bound you to these people.
More Ben Fountain Quotes
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If you could figure out how to live with family then you’d gone a long way toward finding your peace.
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I realized I was never going to have any peace with myself unless I made an honest stab at trying to write.
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I thought when I started writing that I’d have a book out in four or five years, and as it became apparent that that wasn’t going to happen, I became increasingly frustrated and unsure of myself.
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If a person wants to be of any use to himself, he better insist on getting his fair share of beauty and pleasure, and if there’s something about the system that’s keeping him from getting his share, then I think he’s well within his rights to fight to change that.
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It’s amazing what happens when you stick yourself in a place and let things take their more or less natural course.
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I think if you spend much time dwelling on influence you can get self-conscious about every line you write. That’s a great way to freeze up.
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I really had to decide why I was writing. I had no interest in going back to law; I very briefly – for about six hours – considered going to get my MBA, but in the end, I realized that the only work I really wanted to do was write.
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I have a horror of being self-indulgent and wasting time, and there is that risk in doing this kind of work. Are you totally deluded in sitting down at a desk every day and trying to write something? Is it self-indulgent, or might it possibly lead to something worthwhile?
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I’m ashamed and embarrassed to say that I’ve read very little of David Foster Wallace’s work. It’s a huge gap in my education, one of many.
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Americans are incredibly polite as long as they get what they want.
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The funny thing is, about the time I let go of any aspiration toward worldly success, that’s about the time I started writing decent work.
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From about the age of 15 or 16 I’d had the notion that I wanted to write fiction, and I’d done enough in college to satisfy myself that I had a knack for it – I wouldn’t call it “talent” – though I wondered if I’d ever have the guts to actually commit to it.
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Haiti is unique – the first successful slave revolt in history, the first black republic etc., and then when you get into the culture, the voodoo, and that wonderful synchretization of Christian and African belief and symbology, it’s like nothing the world has ever seen.
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I took two fiction-writing courses in college and majored in literature. I felt that I had a knack though I wouldn’t go so far as to call it a talent. But it scared me. I felt it was a childish thing wanting to write and that I would forget about it eventually.
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The Kessler Theater is one such gem, an Art Deco beauty … for a slice of real life, there’s always the Kessler.
BEN FOUNTAIN







