From about the age of 15 or 16 I’d had the notion that I wanted to write fiction, and I’d done enough in college to satisfy myself that I had a knack for it – I wouldn’t call it “talent” – though I wondered if I’d ever have the guts to actually commit to it.
BEN FOUNTAINI thought when I started writing that I’d have a book out in four or five years, and as it became apparent that that wasn’t going to happen, I became increasingly frustrated and unsure of myself.
More Ben Fountain Quotes
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I kept going back while I was writing the novel – which never sold, may it rest in peace – and by the time it was finished I had too many connections to Haiti to walk away.
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I took two fiction-writing courses in college and majored in literature. I felt that I had a knack though I wouldn’t go so far as to call it a talent. But it scared me. I felt it was a childish thing wanting to write and that I would forget about it eventually.
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I got brilliant stories from people who’d never set foot in an MFA program and had published very little, and terrible stories from people who’d published a lot and had all the credentials. It was all over the map and that was part of the fun.
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The funny thing is, about the time I let go of any aspiration toward worldly success, that’s about the time I started writing decent work.
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Americans are incredibly polite as long as they get what they want.
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At a certain point I decided to keep on because I felt like the work was getting better, and I was taking great pleasure in that.
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Haiti is unique – the first successful slave revolt in history, the first black republic etc., and then when you get into the culture, the voodoo, and that wonderful synchretization of Christian and African belief and symbology, it’s like nothing the world has ever seen.
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Eruptions of talent continue to happen in Haiti, in spite of everything.
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You’d think family would be the one sure thing in life, the gimme? Points you got just for being born? So much thick, meaty stuff bound you to these people.
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I think if you spend much time dwelling on influence you can get self-conscious about every line you write. That’s a great way to freeze up.
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It’s amazing what happens when you stick yourself in a place and let things take their more or less natural course.
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It took me 10 years to write a story that pleased me – that I could look at after it was published and not cringe.
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Maybe the light’s at the other end of the tunnel.
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I started publishing stories in small magazines early on, but after seven or eight or nine years you feel like you need a little more than that to show for your efforts.
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If you want to write, then write; if you don’t want to write, then don’t write. I fell into the former category, and I just made the decision that I’d keep on because I liked it and might someday do something decent.
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