“I like acting for myself as a director. I act and I know that I’ll have a chance to have some say in what gets used and that I’ll be able to give myself enough takes and be on the same page as myself about how the scene should play.”

Just because a lot of people know something nominal doesn’t make it important. A lot of people know what a pencil sharpener is, but that doesn’t make it the most important invention of the 20th century.

There is currency to celebrity, or celebrity is a currency. You can spend it in a lot of ways, or you can squander it. You can be taxed, as well. I really started thinking long and hard about how to use that currency as long as I had it.

I try to cast really good actors and give them a chance to do their very best work, give them as much time and space as they need.

One guy told me I was a great actor, I just would never be on the cover of a magazine.

I like the incongruity of how in Iran, these people we think of as being revolutionaries or fanatics or whatever are just as aware of Luke Skywalker and Darth Vader as our people are back home.

When I look up at the screen and see myself I always have to laugh. Not because I think I’m doing a horrible job, quite the contrary, I just feel it’s so surreal to feel like one person can entertain so many at one time.

I’m much more interested in what an actor has to say about something substantial and important than who they’re dating or what clothes they’re wearing or some other asinine, insignificant aspect of their life.

I have three women in the house. I get to be wrong three times a day.

If I ever woke up with a dead hooker in my hotel room, Matt would be the first person I’d call.

Studios are used to have an investment in you, an actual, literal investment in an actor. You paid them some money, you had a contract with them and you were almost like a commodity.

It doesn’t matter how you get knocked down in life, because that’s going to happen. All that matters is that you gotta get up.

Sometimes the people we meet change us forever.

There’s a lot of romance to sort of living by your own rules and sort of not subscribing to what society tells you to do, but society pushes back pretty strongly, so there’s a lot of compromise that goes with that.

I’ve never held myself up particularly high when I had movies that worked, and I never held myself all that low when I had failures.

I like to think that if I were gay I would be out. Rupert Everett-style.

Directing is monumentally complicated and it’s a function of all the time you pay to it. I think it would be great to do a movie I’m not in, I could just eat Fritos and just say, ‘yeah, it’s good!’ Some day.

David Mamet we all know is a great screenplay writer and playwright and a great director. If you like him, you like him. If you hate him, you really hate him. He’s someone who’s into controversy, you know what I mean? That’s David Mamet.

I really hope someday in Hollywood, some producer or director will hire me only to do drama.

I want to really stress this, I am a director, an actor, producer, action choreographer, and I’m also an investor.

It’s now time for me to pass Star Wars on to a new generation of filmmakers. I’ve always believed that Star Wars could live beyond me, and I thought it was important to set up the transition during my lifetime.

When I was a young stunt guy the director would say: “You’re useless” But I wanted to be the best, I wanted to be a super stunt guy. That’s how I built myself, because of martial arts and everything.

Every time I make an American film I just trust the American director and American writer. Myself, I would never make this kind of film. For me, those kinds of films are ridiculous. They don’t make sense.

My parents said, Oh, he’s going to be a director someday. I wanted to be an actor.

I have only one rule in acting – trust the director and give him heart and soul.