Its not who you love. Its how.
BEN AFFLECKI’m much more interested in what an actor has to say about something substantial and important than who they’re dating or what clothes they’re wearing or some other asinine, insignificant aspect of their life.
More Ben Affleck Quotes
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I like to think that if I were gay I would be out. Rupert Everett-style.
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My mother went to Radcliffe, and rather than just trying to get rich, she wanted to be a teacher and taught for over 30 years in the public schools. She’s definitely got some war stories.
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It wasn’t my childhood fantasy to work with Truffaut or be in obscure films. I like Midnight Run better than I like The Bicycle Thief. It was films like Die Hard and Bladerunner that made me want to be an actor.
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If we try to define our own moral universe, there’s a price for that.
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Every single director-actor I talked to, from Warren Beatty to Clint Eastwood to George Clooney, said the biggest mistake they made is not shooting enough footage of themselves.
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I’m always described as ‘cocksure’ or ‘with a swagger,’ and that bears no resemblance to who I feel like inside. I feel plagued by insecurity.
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I really think that everybody would like to be an actor. Why wouldn’t they? It’s great work if you can get it. The one thing that prevents most people from saying, ‘I’m just gonna go to Hollywood!’ is that it seems unrealistic.
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My professional success is really important to me, and my career is really important to me. It’s the most important thing to me outside of my family. I take it very seriously and work really, really hard at it. Family comes first, but this is something that’s really important to me too.
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People ascribe a certain kind of silliness to the movie business. Everybody feels like, “In the movies, they do crazy stuff.”
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A lot of my shows in the past have been more theatrical than others, but you really get the bug for it when you direct on stage.
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Nobody goes to a movie and watches the script. There is a lot of other stuff going on.
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I recognize that Hollywood is not about seniority. Often it’s not even a meritocracy. It’s about what you did yesterday. You have a couple of misses, and suddenly it’s impossible to find a hit. So the swings are gigantic. But I’ve always understood it as such, and navigated it as such.
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No actor forgets the times he couldn’t get a job. I think everyone doing this operates from that fear. You don’t want that momentum to stop when you get it.
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I feel things more deeply anything to do with kids. It just makes a big difference in my life Having a child is like taking the deepest core vulnerable aspect of myself, reaching in and taking it outside of my body.
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There is currency to celebrity, or celebrity is a currency. You can spend it in a lot of ways, or you can squander it. You can be taxed, as well. I really started thinking long and hard about how to use that currency as long as I had it.
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I hate the whole reluctant sex-symbol thing. It’s such bull. You see these dudes greased up, in their underwear, talking about how they don’t want to be a sex symbol.
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It doesn’t matter how you get knocked down in life, because that’s going to happen. All that matters is that you gotta get up.
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Sometimes I get insecure about being a real director because I look at the great directors, and they have such command. But maybe that keeps me critical of myself. Maybe it keeps me moving forward.
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If I ever woke up with a dead hooker in my hotel room, Matt would be the first person I’d call.
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No matter how much you change, you still got to pay the price for the things you’ve done.
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There’s a lot of noise in the world, and the internet magnifies that energy.
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All I do, really, is go to work and try to be professional, be on time and be prepared.
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There’s a lot of romance to sort of living by your own rules and sort of not subscribing to what society tells you to do, but society pushes back pretty strongly, so there’s a lot of compromise that goes with that.
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But when I felt like I had something to prove? Then I got up early every morning and worked all day long. I didn’t know if I had any more talent than anyone else directing, but I knew I could work hard at it, and so I did.
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I’m sure I can make a movie that doesn’t feel like a seventies movie! But the truth is, that’s my favorite era in American filmmaking. To me, those were the great years.
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A sale is made on every call you make. Either you sell the client some stock or he sells you a reason he can’t. Either way a sale is made, the only question is: Who is gonna close?
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