In the studio the director controls the actor’s every move, every inflection, every expression.
BELA LUGOSIIn the studio the director controls the actor’s every move, every inflection, every expression.
BELA LUGOSII have lived too completely. I think I have known every human emotion.
BELA LUGOSII’ve been using narcotics for 20 years.
BELA LUGOSIEvery actor’s greatest ambition is to create his own, definite and original role, a character with which he will always be identified. In my case, that role was Dracula.
BELA LUGOSII guess I’m pretty much of a lone wolf. I don’t say I don’t like people at all, but, to tell you the truth, I only like it then if I have a chance to look deep into their hearts and their minds.
BELA LUGOSIMartyrdom was the price of enthusiasm for acting.
BELA LUGOSII’d like to quit the supernatural roles and play just an interesting, down-to-earth person.
BELA LUGOSITo die, to be really dead, that must be glorious.
BELA LUGOSITo portray a maniac offers a compelling challenge.
BELA LUGOSIWomen have a predestination to suffering.
BELA LUGOSIIt took me years to live down Dracula and convince the film producers that I would play almost any other type of role.
BELA LUGOSIThe role seemed to demand that I keep myself worked up to fever pitch, so I took on the actual attributes of the horrible vampire, Dracula.
BELA LUGOSIPeople, chained by monotony, afraid to think, clinging to certainties… they live like ants.
BELA LUGOSII look in the mirror and say to myself, Can it be you once played Romeo?
BELA LUGOSII will not be tortured! I tear torture out of myself by torturing you!
BELA LUGOSIThere was no male vampire type in existence. Someone suggested an actor of the Continental School who could play any type, and mentioned me.
BELA LUGOSI