black
grey
blue
red
brown
white

I think the musical evolution I’ve gone through has come from all the work with the material.

Bela Fleck

I think I’m getting better at being verbal. I used to have a lot of problems with it. I had my own little demons that I was fighting, and I used the banjo as an escape.
BELA FLECK

Better Fighting Getting Thinking
I don’t know enough about hip-hop, though I’ve heard some great hip-hop. I just did a thing with Qwest Love – we did a performance together in Memphis at the Folk Alliance Festival, and we had a great jam and a conversation.
BELA FLECK

Hip Hop Jam Together
When I play my own music, or when I play new music, there’s much more stress and intensity of thinking about how I’m going to make it work!
BELA FLECK

Play Stress Thinking
Sometimes you can fix something that went wrong with what you do next and make it better than it would have been if it hadn’t gone wrong, as an improviser, and I do know how to do that.
BELA FLECK

Gone People Sometimes Wrong
I think the Flecktones are a mixture of acoustic and electronic music with a lot of roots in folk and bluegrass as well as funk and jazz.
BELA FLECK

Mixtures Roots Thinking
There are a lot of chapters to the banjo’s history. Part of it are the roots in Africa, where it’s a more primitive instrument. Then it comes to the United States where it morphs into the slave music that they created here, which was very African in origin.
BELA FLECK

Roots Slave United States
He knew I was playing a little bit of guitar. He saw a banjo at a flea market and bought it. I took it home with me and just never put it down. I was fifteen.
BELA FLECK

Down Flea Guitar Play
And then Earl Scruggs comes along and transforms the banjo into a virtuosic modern instrument. For the first time, the Southern banjo style becomes the identity of the banjo, and everything from before is wiped off of people’s consciousness by the power of that explosion.
BELA FLECK

People Southern Style
I think it is very ironic that most people think that the banjo is a southern white instrument. It came from Africa and even for the first years that white people played banjo they would put on blackface.
BELA FLECK

Thinking White Years
I think the musical evolution I’ve gone through has come from all the work with the material.
BELA FLECK

Gone Musical Thinking
Sometimes you can fix something that went wrong with what you do next and make it better than it would have been if it hadn’t gone wrong, as an improviser, and I do know how to do that.
BELA FLECK

Gone People Sometimes Wrong
There is a tendency to want to isolate a little bit, from people that might look at me from a fan position, because it’s hard to be a real person around them, and I really want that when I’m not out on tour and in that sort of public eye.
BELA FLECK

Eye People Real
Everybody should have a documentary made about themselves. It’s amazing what you see and what you learn.
BELA FLECK

Documentaries Learn Made Themselves
My most powerful memory was hearing Earl Scruggs on ‘The Beverly Hillbillies’ as a 5 or 6 year old. That sound just blew me away, shook my head up.
BELA FLECK

Memories Powerful Years
Being from New York, I wonder why am I inspired by bluegrass and Earl Scruggs? But when I look at the whole history of the banjo, I feel really good about it, including the Earl Scruggs part.
BELA FLECK

Country Inspired Looks
I doubt anybody would have pushed me [on the music]. When I was at Sony nobody ever gave me any creative suggestions on the music.
BELA FLECK

Creative Doubt Suggestion

I think the musical evolution I’ve gone through has come from all the work with the material.

Related Topics

Popular Authors

I think the musical evolution I’ve gone through has come from all the work with the material.

Related Topics

Popular Authors

More Bela Fleck Quotes