“I really believe musical form will go on. There’s got to be a way of making musical form in cinema live again.”

My father made sure that I had lots of levels of education – from ballroom-dancing to painting, commando training, theatre and magic.

I don’t have fights with actors. In absolute honesty, I’ve never fought with any actor ever.

Some of the greatest relationship films of all time, the two stars have hated each other, but mostly you see that chemistry.

To be honest, there is a tourists’ trail; my family had a farm and a gas station, and you can go and see my birthplace, though where I lived is actually under a freeway now.

Hurt him. Hurt him and save him

Trust yourself that you can do it and get it

All good, clean stories are melodrama, it’s just the set of devices that determines how you show or hide it.

I grew up around jazz. I love jazz.

Fitzgerald coined the phrase the ‘Jazz Age,’ and now we’re living in the Hip-Hop Age.

The cold-audition process is not a science, so I ignore that.

Don’t waste your time on jealousy. Sometimes you’re ahead, sometimes you’re behind. The race is long, and in the end, it’s only with yourself

Everything I make starts very personally.

A life lived in fear is a life half lived.

I do find walking is fundamental to my creative process.

My wife is the fact-checker, I’m in the story telling business.

I feel a kinship with anyone who feels that their road, their life or who they really are is not good enough. I really relate to that.

I think cinema all over the world was influenced by it, which was Italy finding its freedom at the end of fascism, the end of the Nazi invasion. It was a kind of incredible energy. Then, late ’50s, early ’60s, the neo-realism lost its great energy and became comedy.

What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution.

I love indie movies. I think that independent cinema is where it’s at and where a lot of trends begin. It’s where new filmmakers are breaking through.

Most horror movies are certainly that.

There was a sense of future that was the result of the mixture of politics, cinema, music, the first joints. And the movies were a very important part of that cocktail.

American cinema is international like the fairy tales were international.

For example, Jewish directors coming from Germany or Austria and enriching Hollywood. In 15, 20 years, Hollywood became imperialistic. Cinema goes ahead when it is marriaged by other culture. Otherwise, it turns on itself.

I was in Italy, but completely in love with the nouvelle vague movement, and directors like Godard, Truffaut, Demy. ‘The Dreamers’ was a total homage to cinema and that love for it.