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When you’re done shooting, the movie that you’re going to release when you’re done shooting is as bad as it will ever be.

Barry Sonnenfeld

I’m not the one or two take guy, but I’m not the 20, 30, 50, 70 take guy either. If I do a bunch of takes, like more than five or six, it’s usually for some technical reasons.
BARRY SONNENFELD

Bunch Guy More Six Take Two Usually
Anything I think isn’t working or might not work, I don’t even put it in the director’s cut. And usually it’s the studio suggesting I put stuff back in, as opposed to studios saying, “You got to lose 40 minutes,” they are always saying, “You’ve got to gain five minutes.”
BARRY SONNENFELD

might Oppose Studious Stuff Suggest Work
I haven’t read a review of one of my films for the best part of 10 years.
BARRY SONNENFELD

Film Reviews Years
They want to let the audience figure things out and let the reaction shot get the laugh.
BARRY SONNENFELD

Figure Laughing Skating Want
Michael worked one day. Everybody was a little freaked out and nervous because he’s a really big star. We were already working with really big stars, but Michael is Michael.
BARRY SONNENFELD

Day Little One Stars
And my feeling was if I was going to succeed as a director, I had to just be a director and give up the safety net of being a cameraman.
BARRY SONNENFELD

Cameramen Director Feeling Succeed
We should all relax about life because you don’t have a clue as to what’s really going on.
BARRY SONNENFELD

Clue Going Life Relax
I’m an unusual director in that my cut is usually shorter then the final released film. I like short films.
BARRY SONNENFELD

Cutting Directors Finals
The weird thing is that I hate to fly, and the quote that I give people is that every time I get off a plane, I view it as a failed suicide attempt.
BARRY SONNENFELD

Attempt Hate Suicide Views
I don’t believe in leaving a scene in because it was really hard to shoot, or because it’s the reason you took the movie, or because you always wanted to work with an actor . . . If it’s not making the movie work, get rid of it.
BARRY SONNENFELD

Actors Believe Leave Leaving Scene
I had to explain to him that it was a comedy.
BARRY SONNENFELD

Comedy Explain Learn Taught
There is something about being a director where, for me personally, I get to . . . it’s the closest I’ll ever come to being able to be a stand up.
BARRY SONNENFELD

Director Laughing People Personality
Growing up, my fascination was all things dinosaur, and as an adult, I’ve had some success making films about aliens, so this is a dream come true.
BARRY SONNENFELD

Dream Fascination Growing Up
The first cut I do is usually between five and 10 minutes shorter then the cut that we release.
BARRY SONNENFELD

Cutting Directors Thinking
These movies are like my kids. I just love them to death. Some of them go to Harvard and some of them can barely graduate high school.
BARRY SONNENFELD

Barely Graduate Kid Movie School Some
And to use my particular sense of humor, and hear people laughing, without me having to stand up in front of an audience and tell jokes.
BARRY SONNENFELD

Always Gun Joke Particular Sense The Audience

When you’re done shooting, the movie that you’re going to release when you’re done shooting is as bad as it will ever be.

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When you’re done shooting, the movie that you’re going to release when you’re done shooting is as bad as it will ever be.

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