“I’m not the one or two take guy, but I’m not the 20, 30, 50, 70 take guy either. If I do a bunch of takes, like more than five or six, it’s usually for some technical reasons.”

And then through editing, and finishing the effects and adding music, you get to make the movie better again. So I’m really hard on myself and on the movie.

And my feeling was if I was going to succeed as a director, I had to just be a director and give up the safety net of being a cameraman.

These movies are like my kids. I just love them to death. Some of them go to Harvard and some of them can barely graduate high school.

I was seeing a lot of really good things about Get Shorty when it came out, and my wife pointed out that if you validate the good reviews, you also have to validate the bad reviews.

Michael Jackson wanted to be in Men in Black II. He told me he had seen the first Men in Black in Paris and had stayed behind and sat there and wept.

Michael worked one day. Everybody was a little freaked out and nervous because he’s a really big star. We were already working with really big stars, but Michael is Michael.

When I move from being a cameraman to being a director I looked at a lot of other cameramen who tried to make the move. And in each case they moved up their camera operator to be the DP, which really meant they didn’t want to give up being the DP, and really wanted to do both.

It felt scary because there was no auditioning, no rehearsing.

And to use my particular sense of humor, and hear people laughing, without me having to stand up in front of an audience and tell jokes.

I had to explain to him that it was a comedy.

The first cut I do is usually between five and 10 minutes shorter then the cut that we release.

The weird thing is that I hate to fly, and the quote that I give people is that every time I get off a plane, I view it as a failed suicide attempt.

Growing up, my fascination was all things dinosaur, and as an adult, I’ve had some success making films about aliens, so this is a dream come true.

I’m an unusual director in that my cut is usually shorter then the final released film. I like short films.

They want to let the audience figure things out and let the reaction shot get the laugh.

It always happens at the end that you’re always under the gun because of various schedules and all that.

When you’re playing against a whole bunch of All-Stars, it’s like a video game. There’s so much talent on the floor at once.

There’s a bunch of stuff I want to learn. Instead of waiting around on set all day, I’d rather be learning something cool.

Blanche: No, I have the misfortune of being an English instructor. I attempt to instill a bunch of bobby-soxers and drugstore Romeos with a reverence for Hawthorne and Whitman and Poe!

Taking control of our laws border and money, run not by a bunch of overpaid bureaucrats in Brussels but by a bunch of overpaid bureaucrats in Britain. That ladies and gentlemen is a dream worth fighting for.

I have a bunch from when I played on the Canadian Tour. I’m not superstitious.

There are a whole bunch of roles where people say, ‘Oh, you’re playing yourself.’ I guess it’s kind of a compliment.

I had a bunch of lean years where I had to do things, a lot of which I wasn’t wildly enthusiastic about.

I was able to come up with a couple articles for the magazine, I was able to solicit help from a bunch of my friends to contribute pieces: Patton Oswalt, Seth Green, Emo Phillips, Chris Hardwick, John Hodgman, and more.