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By definition a sequel can’t be original. So you’ve got to figure out what worked the first time around.

Barry Sonnenfeld

Michael Jackson wanted to be in Men in Black II. He told me he had seen the first Men in Black in Paris and had stayed behind and sat there and wept.
BARRY SONNENFELD

Black Celebrity Country Men Musician Popular Singer Told
I’m not the one or two take guy, but I’m not the 20, 30, 50, 70 take guy either. If I do a bunch of takes, like more than five or six, it’s usually for some technical reasons.
BARRY SONNENFELD

Bunch Guy More Six Take Two Usually
They want to let the audience figure things out and let the reaction shot get the laugh.
BARRY SONNENFELD

Figure Laughing Skating Want
I haven’t read a review of one of my films for the best part of 10 years.
BARRY SONNENFELD

Film Reviews Years
There is something about being a director where, for me personally, I get to . . . it’s the closest I’ll ever come to being able to be a stand up.
BARRY SONNENFELD

Director Laughing People Personality
I was seeing a lot of really good things about Get Shorty when it came out, and my wife pointed out that if you validate the good reviews, you also have to validate the bad reviews.
BARRY SONNENFELD

Good Reviews Things Wife
And to use my particular sense of humor, and hear people laughing, without me having to stand up in front of an audience and tell jokes.
BARRY SONNENFELD

Always Gun Joke Particular Sense The Audience
We should all relax about life because you don’t have a clue as to what’s really going on.
BARRY SONNENFELD

Clue Going Life Relax
By definition a sequel can’t be original. So you’ve got to figure out what worked the first time around.
BARRY SONNENFELD

Definitions Figure Firsts Skating
These movies are like my kids. I just love them to death. Some of them go to Harvard and some of them can barely graduate high school.
BARRY SONNENFELD

Barely Graduate Kid Movie School Some
And then through editing, and finishing the effects and adding music, you get to make the movie better again. So I’m really hard on myself and on the movie.
BARRY SONNENFELD

Add Finish Movie Music Myself
And my feeling was if I was going to succeed as a director, I had to just be a director and give up the safety net of being a cameraman.
BARRY SONNENFELD

Cameramen Director Feeling Succeed
When you’re done shooting, the movie that you’re going to release when you’re done shooting is as bad as it will ever be.
BARRY SONNENFELD

Done Editing Finishing Release Shoot
Michael worked one day. Everybody was a little freaked out and nervous because he’s a really big star. We were already working with really big stars, but Michael is Michael.
BARRY SONNENFELD

Day Little One Stars
I’m an unusual director in that my cut is usually shorter then the final released film. I like short films.
BARRY SONNENFELD

Cutting Directors Finals
Anything I think isn’t working or might not work, I don’t even put it in the director’s cut. And usually it’s the studio suggesting I put stuff back in, as opposed to studios saying, “You got to lose 40 minutes,” they are always saying, “You’ve got to gain five minutes.”
BARRY SONNENFELD

might Oppose Studious Stuff Suggest Work

By definition a sequel can’t be original. So you’ve got to figure out what worked the first time around.

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By definition a sequel can’t be original. So you’ve got to figure out what worked the first time around.

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Popular Authors

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