I don’t believe in leaving a scene in because it was really hard to shoot, or because it’s the reason you took the movie, or because you always wanted to work with an actor . . . If it’s not making the movie work, get rid of it.
BARRY SONNENFELDI had to explain to him that it was a comedy.
More Barry Sonnenfeld Quotes
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I had to explain to him that it was a comedy.
BARRY SONNENFELD -
When you’re done shooting, the movie that you’re going to release when you’re done shooting is as bad as it will ever be.
BARRY SONNENFELD -
There is something about being a director where, for me personally, I get to . . . it’s the closest I’ll ever come to being able to be a stand up.
BARRY SONNENFELD -
Anything I think isn’t working or might not work, I don’t even put it in the director’s cut. And usually it’s the studio suggesting I put stuff back in, as opposed to studios saying, “You got to lose 40 minutes,” they are always saying, “You’ve got to gain five minutes.”
BARRY SONNENFELD -
And my feeling was if I was going to succeed as a director, I had to just be a director and give up the safety net of being a cameraman.
BARRY SONNENFELD -
It felt scary because there was no auditioning, no rehearsing.
BARRY SONNENFELD -
They want to let the audience figure things out and let the reaction shot get the laugh.
BARRY SONNENFELD -
The weird thing is that I hate to fly, and the quote that I give people is that every time I get off a plane, I view it as a failed suicide attempt.
BARRY SONNENFELD -
These movies are like my kids. I just love them to death. Some of them go to Harvard and some of them can barely graduate high school.
BARRY SONNENFELD -
By definition a sequel can’t be original. So you’ve got to figure out what worked the first time around.
BARRY SONNENFELD -
Growing up, my fascination was all things dinosaur, and as an adult, I’ve had some success making films about aliens, so this is a dream come true.
BARRY SONNENFELD -
And to use my particular sense of humor, and hear people laughing, without me having to stand up in front of an audience and tell jokes.
BARRY SONNENFELD -
The first cut I do is usually between five and 10 minutes shorter then the cut that we release.
BARRY SONNENFELD -
Michael Jackson wanted to be in Men in Black II. He told me he had seen the first Men in Black in Paris and had stayed behind and sat there and wept.
BARRY SONNENFELD -
I was seeing a lot of really good things about Get Shorty when it came out, and my wife pointed out that if you validate the good reviews, you also have to validate the bad reviews.
BARRY SONNENFELD