The writer works on the inside and the critic works on the outside. I don’t know what it looks like on the outside, sometimes. It’s not that I’m not interested-it’s not where I live. I live inside the story.
My faith is in my colleagues. And when I meet other writers, journalists, who’ve been doing this for a long time, trying to make us aware of what it is that we’re living in, I put my faith in those people.
If stories come to you, care for them. And learn to give them away where they are needed. Sometimes a person needs a story more than food to stay alive.
When I sit at that typewriter, I have to be frightened of what I’m trying to do. I’m frightened by my own belief that I can actually get a story down on paper.
The interior landscape responds to the character and subtlety of the exterior landscape; the shape of the individual mind is affected by the land as it is by genes.
The land is like poetry: it is inexplicably coherent, it is transcendent in its meaning, and it has the power to elevate a consideration of human life.
