“When I sit at that typewriter, I have to be frightened of what I’m trying to do. I’m frightened by my own belief that I can actually get a story down on paper.”

Would the last animal, eating garbage and living on the last scrap of land, his mate dead, would he still forgive you?

Sometimes a person needs a story more than food to stay alive.

It is the imagination that gives shape to the universe.

People think that if you’ve written a book and somebody’s given you a pat on the back then, you know, it’s all – you’re all settled, you know? You’re going to be fine. I know that if I’m not confused, and really afraid, my work isn’t going to be any good.

My function as a writer is to provide an atmosphere in which people can think wisely about what we’re doing on this planet.

The most intelligent thing we can do is love, not reason.

One must live in the middle of contradiction, because if all contradiction were eliminated at once life would collapse.

Have we come all this way, I wondered, only to be dismantled by our own technologies, to be betrayed by political connivance or the impersonal avarice of a corporation?

We cannot, of course, save the World because we do not have authority over its parts. We can serve the world though. That is everyone’s calling, to lead a life that helps.

Everything is held together with stories. That is all that is holding us together, stories and compassion.

The writer works on the inside and the critic works on the outside. I don’t know what it looks like on the outside, sometimes. It’s not that I’m not interested-it’s not where I live. I live inside the story.

My faith is in my colleagues. And when I meet other writers, journalists, who’ve been doing this for a long time, trying to make us aware of what it is that we’re living in, I put my faith in those people.

The land urges us to come around to an understanding of ourselves.

In behaving respectfully toward all that the land contains, it is possible to imagine a stifling ignorance falling away from us.

There’s so much to be afraid of.

The land is like poetry: it is inexplicably coherent, it is transcendent in its meaning, and it has the power to elevate a consideration of human life.

I think it’s a great time for women in TV and film in general, and I want to help tell these stories.

Flying the Feathered Edge captures my life story in an authentic and accurate way. I don’t know how it could have been done any better.

The moral of the story is this: sometimes, to do nothing, to do nothing at all, is the sorriest thing ever.

I’m not famous for my back story investigations; I’m lucky that I work with good writers and it’s usually in the script.

Our stories are different; our pain is the same.

When you have a memorable story about who you are and what your mission is, your success no longer depends on how experienced you are or how many degrees you have or who you know. A good story transcends boundaries, breaks barriers, and opens doors.

But we weren’t a phenomenon like the Beatles or Elvis Presley or the Rolling Stones: We were only as good as our last hit. We lived on our music and couldn’t slide on anything – and this show is that story.

Stories are the most primitive and purest form of communication.