As soon as digital editing came about, I immediately made the switch to digital.
BARRY LEVINSONI think test screening works at its best when the audience knows what it’s getting.
More Barry Levinson Quotes
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A lot of time mistakes are very interesting – you look for the behaviour that’s not the one you expect.
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No one really has the power, and everybody’s trying to get through the day, and everybody’s nervous and desperate.
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I think it’s a promising time which will show a lot of diversification that we’ve seen in the past.
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There was a time when I said, “I’m going to go do a television thing,” after doing all these theatrical films, and heard, “Television? Why are you going to go back to television?” It’s an interesting place.
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I always think that there is the good and the bad of it all.
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I thought a great line in the What Just Happened movie said, “We’re just the mayonnaise.”
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I play around with human things, human relationships and that, and allow that kind of talk to work in that way, on that level.
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I do know when you look at some ballplayer and all of a sudden he is the size of a truck something is wrong.
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All I try to do is create an atmosphere that seems comfortable enough, that it removes tension and everyone feels free. If they feel free then behaviour happens, small moments happen and that’s what ultimately works the best for me.
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I’m fascinated by documentaries, to begin with. Because of the nature of television, as opposed to theatrical, documentaries can be in this long form and take you on a journey.
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I don’t know that you can do an absurdist film and just have everybody embrace it in terms of filling out cards. I just don’t think it happens. So you have to prepare an audience.
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I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.
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You don’t always have to have the ending, but you want to have a satisfactory conclusion.
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I think test screening works at its best when the audience knows what it’s getting.
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I’ve had a lot of movies that didn’t get great numbers on test screening, but a lot of times the film was able to survive, or the studio still stayed and supported it.
BARRY LEVINSON