I do know when you look at some ballplayer and all of a sudden he is the size of a truck something is wrong.
BARRY LEVINSONI do know when you look at some ballplayer and all of a sudden he is the size of a truck something is wrong.
BARRY LEVINSONAll I try to do is create an atmosphere that seems comfortable enough, that it removes tension and everyone feels free. If they feel free then behaviour happens, small moments happen and that’s what ultimately works the best for me.
BARRY LEVINSONI think we are seeing a radical shift in the business in general. The studios are making much more of the real big extravaganzas and there are other kinds of films that are coming out. I think you are going to begin to see more diversification that we’ve seen in the past.
BARRY LEVINSONI think test screening works at its best when the audience knows what it’s getting.
BARRY LEVINSONA lot of time mistakes are very interesting – you look for the behaviour that’s not the one you expect.
BARRY LEVINSONI never really wanted to be an actor. And that was the beginning of it, I began to write things down and eventually became a writer on a television show.
BARRY LEVINSONSome actors are supposed to be very difficult, but I’ve not found that to be the situation.
BARRY LEVINSONI’m fascinated by documentaries, to begin with. Because of the nature of television, as opposed to theatrical, documentaries can be in this long form and take you on a journey.
BARRY LEVINSONI think certain movies work and that is part of the magic of it all. We can’t truly define why something succeeds.
BARRY LEVINSONI got involved with an acting school and studied for a couple years. They used to have improv exercises that you would work on and you would do improvs.
BARRY LEVINSONYou have a movie and it proves itself and then certain things happen.
BARRY LEVINSONYou don’t always have to have the ending, but you want to have a satisfactory conclusion.
BARRY LEVINSONI’ve had a lot of movies that didn’t get great numbers on test screening, but a lot of times the film was able to survive, or the studio still stayed and supported it.
BARRY LEVINSONAs soon as digital editing came about, I immediately made the switch to digital.
BARRY LEVINSONThere was a time when I said, “I’m going to go do a television thing,” after doing all these theatrical films, and heard, “Television? Why are you going to go back to television?” It’s an interesting place.
BARRY LEVINSONIt’s always hard to explain why an audience ultimately responds to a movie.
BARRY LEVINSON