I think certain movies work and that is part of the magic of it all. We can’t truly define why something succeeds.
BARRY LEVINSONI do know when you look at some ballplayer and all of a sudden he is the size of a truck something is wrong.
More Barry Levinson Quotes
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I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.
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It’s always hard to explain why an audience ultimately responds to a movie.
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I think when Sarah Palin opened her mouth and started talking, the more she talked, the less appealing she became.
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You don’t always have to have the ending, but you want to have a satisfactory conclusion.
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I’ve had a lot of movies that didn’t get great numbers on test screening, but a lot of times the film was able to survive, or the studio still stayed and supported it.
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They’re intimidating the networks and levying these fines, so the networks are not sure of what they can or can’t do.
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Craig Nelson who is an actor and is in a show called Coach in the United States. We began to do some improvisational stuff and we used to get laughs and things.
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You do understand that you can’t force the situation, but in terms of how you edit, you can define that to take the audience along, whether it be a storyline or a character moment that we can play out. The more experience you’ve had, the more beneficial it is, period.
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I don’t know that you can do it as a satire. I mean, the business is crazy enough as it is. It’s like doing Wag The Dog – we took a thing that was almost completely absurd on one level, and then ultimately those things came about.
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Some actors are supposed to be very difficult, but I’ve not found that to be the situation.
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Ronald Reagan was this actor who was going to be president, and he was very charming. What he had was, he talked about America in ways that got people all caught up in it. He was creating this America – it could even be the mythical “America” – that we subscribe to.
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I always think that there is the good and the bad of it all.
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I think test screening works at its best when the audience knows what it’s getting.
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I don’t know that you can do an absurdist film and just have everybody embrace it in terms of filling out cards. I just don’t think it happens. So you have to prepare an audience.
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I think it’s a promising time which will show a lot of diversification that we’ve seen in the past.
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