You do understand that you can’t force the situation, but in terms of how you edit, you can define that to take the audience along, whether it be a storyline or a character moment that we can play out. The more experience you’ve had, the more beneficial it is, period.
BARRY LEVINSONAs soon as digital editing came about, I immediately made the switch to digital.
More Barry Levinson Quotes
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I would give the cameras to the kids in the swimming pools and they would play with them, and then I would collect them and we would upload it. If you’re in the process, you’re there.
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I’m fascinated by documentaries, to begin with. Because of the nature of television, as opposed to theatrical, documentaries can be in this long form and take you on a journey.
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I thought a great line in the What Just Happened movie said, “We’re just the mayonnaise.”
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All I try to do is create an atmosphere that seems comfortable enough, that it removes tension and everyone feels free. If they feel free then behaviour happens, small moments happen and that’s what ultimately works the best for me.
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Some actors are supposed to be very difficult, but I’ve not found that to be the situation.
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Craig Nelson who is an actor and is in a show called Coach in the United States. We began to do some improvisational stuff and we used to get laughs and things.
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I’ve had a lot of movies that didn’t get great numbers on test screening, but a lot of times the film was able to survive, or the studio still stayed and supported it.
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We’re never going to be the ultimate-insider look. You can do 50 insider looks at this Hollywood business, and the satire didn’t intrigue me. I think others can do that.
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Studios just sometimes make decisions on their own that you’re always flabbergasted by. It just happens that way for whatever reason – not even pointing fingers, it just is.
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I never really wanted to be an actor. And that was the beginning of it, I began to write things down and eventually became a writer on a television show.
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It’s always hard to explain why an audience ultimately responds to a movie.
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I think we are seeing a radical shift in the business in general. The studios are making much more of the real big extravaganzas and there are other kinds of films that are coming out. I think you are going to begin to see more diversification that we’ve seen in the past.
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You don’t always have to have the ending, but you want to have a satisfactory conclusion.
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Even back in the ’90s, I shot certain things on something that wasn’t digital then, but it was on VHS with a smaller camera and we would up it to film.
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I think it’s a promising time which will show a lot of diversification that we’ve seen in the past.
BARRY LEVINSON