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I want to speak, show, see, and hear outrageously astute questions and comments. I want to be on the sides of pleasure and laughter and to disrupt the dour certainties of pictures, property, and power.

Barbara Kruger

It’s really hard for me to use the term ‘history’ in the singular, because it suggests a reductivist view of how moments and events congeal and reflect the passage of time. I’d rather stick to the pluralness of ‘histories’ in order to suggest the simultaneity, the parallel forces at work, which produce lived experience.
BARBARA KRUGER

History Order Views
Fashion is everywhere and about everything. It is folly, vanity and the fun of it all. It is disguise, innuendo, and cunning. It is mean, gorgeous and ambitious, and definitely the last word for the next few seconds.
BARBARA KRUGER

Fashion Fun Mean
I feel uncomfortable with the term public art, because I’m not sure what it means. If it means what I think it does, then I don’t do it. I’m not crazy about categories.
BARBARA KRUGER

Art Crazy Mean
There are so many moments and works that influence us in what we do. Movies, music, TV and, most importantly, the profound everydayness of our lives.
BARBARA KRUGER

Influence Profound Tvs
It’s a small world, but not if you have to clean it
BARBARA KRUGER

Clean Small World World
Architecture is my first love, if you want to talk about what moves me… the ordering of space, the visual pleasure, architecture’s power to construct our days and nights.
BARBARA KRUGER

First Love Moving Night
I want people to be drawn into the space of the work. And a lot of people are like me in that they have relatively short attention spans. So I shoot for the window of opportunity.
BARBARA KRUGER

Artist Opportunity Space
If most American cities are about the consumption of culture, Los Angeles and New York are about the production of culture – not only national culture but global culture.
BARBARA KRUGER

Cities Country Culture Production
The so-called language of Barbara Kruger is vernacular language. Obviously, I pick through bits and pieces of it and figure out to some degree how to objectify my experience of the world, using pictures and words that construct and contain me.
BARBARA KRUGER

Degrees Pieces World
I work with pictures and words because they have the ability to determine who we are, what we want to be and what we become.
BARBARA KRUGER

Pictures Want Who Word
Belief is tricky because left to its own devices, it can court a kind of surety, an unquestioning allegiance that fears doubt and destroys difference.
BARBARA KRUGER

Belief Differences Doubt
GIVE YOUR BRAIN AS MUCH ATTENTION AS YOU DO YOUR HAIR AND YOU’LL BE A THOUSAND TIMES BETTER OFF.
BARBARA KRUGER

Brain Giving Hair
I worked with someone else’s photos; I cropped them in whatever way I wanted and put words on top of them. I knew how to do it with my eyes closed. Why couldn’t that be my art?
BARBARA KRUGER

Art Eye Photo Way Word
Direct address has been a consistent tactic in my work, regardless of the medium that I’m working in.
BARBARA KRUGER

Artist Rehabilitation Tactics
You make history when you do business.
BARBARA KRUGER

Business History Make
I have no complaints, except for the world.
BARBARA KRUGER

Complaints Except World

I want to speak, show, see, and hear outrageously astute questions and comments. I want to be on the sides of pleasure and laughter and to disrupt the dour certainties of pictures, property, and power.

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I want to speak, show, see, and hear outrageously astute questions and comments. I want to be on the sides of pleasure and laughter and to disrupt the dour certainties of pictures, property, and power.

Related Topics

Popular Authors

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