I’m trying to engage issues of power and sexuality and money and life and death and power. Power is the most free-flowing element in society, maybe next to money, but in fact they both motor each other.
BARBARA KRUGERIf most American cities are about the consumption of culture, Los Angeles and New York are about the production of culture – not only national culture but global culture.
More Barbara Kruger Quotes
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I think people have to set up little battles. They have to demonize people whom they disagree with or feel threatened by. But it’s the ideological framing of the debate that scares me.
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I just say I’m an artist who works with pictures and words.
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It’s really hard for me to use the term ‘history’ in the singular, because it suggests a reductivist view of how moments and events congeal and reflect the passage of time. I’d rather stick to the pluralness of ‘histories’ in order to suggest the simultaneity, the parallel forces at work, which produce lived experience.
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I’m trying to deal with ideas about histories, fame, hearsay, and how public identities are constructed.
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I work with pictures and words because they have the ability to determine who we are, what we want to be and what we become.
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You know, one of the only times I ever wrote about art was the obituary of Warhol that I did for the Village Voice.
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I’m an artist who works with pictures and words. Sometimes that stuff ends up in different kinds of sites and contexts which determine what it means and looks like.
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Love is something you fall into.
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Fashion is everywhere and about everything. It is folly, vanity and the fun of it all. It is disguise, innuendo, and cunning. It is mean, gorgeous and ambitious, and definitely the last word for the next few seconds.
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I think there are lots of ways to make good work. You can throw big bucks at a project and make what some would call crap, or you can work very modestly with eloquently moving results.
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Although my art work was heavily informed by my design work on a formal and visual level, as regards meaning and content the two practices parted ways.
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I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I’m trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level.
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I don’t necessarily think that installation is the only way to go. It’s just a label for certain kinds of arrangements.
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Direct address has been a consistent tactic in my work, regardless of the medium that I’m working in.
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Teaching at university isn’t like teaching in an art school.
BARBARA KRUGER