What makes the production of my work so expensive? The whole installation thing – the construction, the objects, the technology. It really adds up.
BARBARA KRUGERIf most American cities are about the consumption of culture, Los Angeles and New York are about the production of culture – not only national culture but global culture.
More Barbara Kruger Quotes
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Direct address has been a consistent tactic in my work, regardless of the medium that I’m working in.
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But I really resist categories – that naming is a closing down of meaning. Women’s art, political art – those categorisations perpetuate a certain kind of marginality which I’m resistant to. But I absolutely define myself as a feminist.
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I have no complaints, except for the world.
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If I bring up political power, personal power, it sounds like they’re my terms, and they’re not.
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I work with pictures and words because they have the ability to determine who we are, what we want to be and what we become.
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You want it, you buy it, you forget it.
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It’s good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can’t be personalized.
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Although my art work was heavily informed by my design work on a formal and visual level, as regards meaning and content the two practices parted ways.
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I think pictures and words have the power to make us rich or poor.
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I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I’m trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level.
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It’s really hard for me to use the term ‘history’ in the singular, because it suggests a reductivist view of how moments and events congeal and reflect the passage of time. I’d rather stick to the pluralness of ‘histories’ in order to suggest the simultaneity, the parallel forces at work, which produce lived experience.
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It entered the visual vocabulary of photographers, painters and sculptors and focused on what pictures and words look like and what they can mean.
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It’s a small world, but not if you have to clean it
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Memory is your image of perfection.
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We are obliged to steal pieces of language, both visual and textual.
BARBARA KRUGER






