GIVE YOUR BRAIN AS MUCH ATTENTION AS YOU DO YOUR HAIR AND YOU’LL BE A THOUSAND TIMES BETTER OFF.
BARBARA KRUGERGIVE YOUR BRAIN AS MUCH ATTENTION AS YOU DO YOUR HAIR AND YOU’LL BE A THOUSAND TIMES BETTER OFF.
BARBARA KRUGERIf I bring up political power, personal power, it sounds like they’re my terms, and they’re not.
BARBARA KRUGERI have frequently said, and I will repeat again, in the manner of any well-meaning seriality, that I’m interested in mixing the ingratiation of wishful thinking with the criticality of knowing better.
BARBARA KRUGERI think what I’m trying to do is create moments of recognition. To try to detonate some kind of feeling or understanding of lived experience.
BARBARA KRUGERI think there are different ways of being rigorous, and I am asking people to be as rigorous in their pleasure as in their criticism.
BARBARA KRUGERIt’s good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can’t be personalized.
BARBARA KRUGERMemory is your image of perfection.
BARBARA KRUGERI have no complaints, except for the world.
BARBARA KRUGERI think that every so-called history book and film biography should be prefaced by the statement that what follows is the author’s rendition of events and circumstances.
BARBARA KRUGERMoney talks. It makes art. It determines what food we eat, whether we are cured or die, and what shoes we wear.
BARBARA KRUGERWhat makes the production of my work so expensive? The whole installation thing – the construction, the objects, the technology. It really adds up.
BARBARA KRUGERDirect address has been a consistent tactic in my work, regardless of the medium that I’m working in.
BARBARA KRUGERI’m living my life, not buying a lifestyle.
BARBARA KRUGERThe so-called language of Barbara Kruger is vernacular language. Obviously, I pick through bits and pieces of it and figure out to some degree how to objectify my experience of the world, using pictures and words that construct and contain me.
BARBARA KRUGERIt’s really hard for me to use the term ‘history’ in the singular, because it suggests a reductivist view of how moments and events congeal and reflect the passage of time. I’d rather stick to the pluralness of ‘histories’ in order to suggest the simultaneity, the parallel forces at work, which produce lived experience.
BARBARA KRUGERI think architecture is one of the predominant orderings of social space. It can construct and contain our experiences. It defines our days and nights. It literally puts us in our place.
BARBARA KRUGER