I think what I’m trying to do is create moments of recognition. To try to detonate some kind of feeling or understanding of lived experience.
BARBARA KRUGERWhat I’m trying to do is create moments of recognition.
More Barbara Kruger Quotes
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I think that every so-called history book and film biography should be prefaced by the statement that what follows is the author’s rendition of events and circumstances.
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Direct address has been a consistent tactic in my work, regardless of the medium that I’m working in.
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I had to figure out how to bring the world into my work.
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I don’t necessarily think that installation is the only way to go. It’s just a label for certain kinds of arrangements.
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Belief is tricky because left to its own devices, it can court a kind of surety, an unquestioning allegiance that fears doubt and destroys difference.
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GIVE YOUR BRAIN AS MUCH ATTENTION AS YOU DO YOUR HAIR AND YOU’LL BE A THOUSAND TIMES BETTER OFF.
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You know, one of the only times I ever wrote about art was the obituary of Warhol that I did for the Village Voice.
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There are so many moments and works that influence us in what we do. Movies, music, TV and, most importantly, the profound everydayness of our lives.
BARBARA KRUGER -
I’m trying to engage issues of power and sexuality and money and life and death and power. Power is the most free-flowing element in society, maybe next to money, but in fact they both motor each other.
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But I really resist categories – that naming is a closing down of meaning. Women’s art, political art – those categorisations perpetuate a certain kind of marginality which I’m resistant to. But I absolutely define myself as a feminist.
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Warhol’s images made sense to me, although I knew nothing at the time of his background in commercial art. To be honest, I didn’t think about him a hell of a lot.
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I just say I’m an artist who works with pictures and words.
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I think I developed language skills to deal with threat. It’s the girl thing to do-you know, instead of pulling out a gun.
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I’m trying to deal with ideas about histories, fame, hearsay, and how public identities are constructed.
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Do you know why language manifests itself the way it does in my work? It’s because I understand short attention spans.
BARBARA KRUGER