What makes the production of my work so expensive? The whole installation thing – the construction, the objects, the technology. It really adds up.
BARBARA KRUGERMoney talks. It starts rumors about careers and complicity and speaks of the tragedies and triumphs of our social lives.
More Barbara Kruger Quotes
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All the gossip and craziness becomes a kind of sustained narrative which, in turn, can become history. It’s scary.
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Listen: our culture is saturated with irony whether we know it or not.
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You make history when you do business.
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All violence is the illustration of a pathetic stereotype.
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I’m trying to deal with ideas about histories, fame, hearsay, and how public identities are constructed.
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I’ve always thought that it’s good to watch the news to find out what everybody else is looking at and believing, if only because that’s how consensus is constructed.
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I’d always been a news junkie, always read lots of newspapers and watched the Sunday morning news shows on TV and felt strongly about issues of power, control, sexuality and race.
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I like suggesting that ‘we are slaves to the objects around us,’ that ‘plenty should be enough,’ or that the ‘buyer should beware,’ within the context of conventional selling space.
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The place of the arts in the classroom is essential in encouraging invention, ambition, and an understanding of the importance and pleasures of living an examined life.
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I’ve always been very tied to language.
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There are so many moments and works that influence us in what we do. Movies, music, TV and, most importantly, the profound everydayness of our lives.
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Architecture is my first love, if you want to talk about what moves me… the ordering of space, the visual pleasure, architecture’s power to construct our days and nights.
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Money talks. It starts rumors about careers and complicity and speaks of the tragedies and triumphs of our social lives.
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It’s really hard for me to use the term ‘history’ in the singular, because it suggests a reductivist view of how moments and events congeal and reflect the passage of time. I’d rather stick to the pluralness of ‘histories’ in order to suggest the simultaneity, the parallel forces at work, which produce lived experience.
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But I really resist categories – that naming is a closing down of meaning. Women’s art, political art – those categorisations perpetuate a certain kind of marginality which I’m resistant to. But I absolutely define myself as a feminist.
BARBARA KRUGER






