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What makes the production of my work so expensive? The whole installation thing – the construction, the objects, the technology. It really adds up.

Barbara Kruger

I’ve always been very tied to language.
BARBARA KRUGER

Always Language Tied
There are so many moments and works that influence us in what we do. Movies, music, TV and, most importantly, the profound everydayness of our lives.
BARBARA KRUGER

Influence Profound Tvs
The different aspects of my activity, whether it’s writing criticism, or doing visual work that incorporates writing, or teaching, or curating, is all of a single cloth, and I don’t make any separation in terms of those practices.
BARBARA KRUGER

Practice Teaching Writing
It entered the visual vocabulary of photographers, painters and sculptors and focused on what pictures and words look like and what they can mean.
BARBARA KRUGER

Looks Mean Vocabulary
Warhol’s images made sense to me, although I knew nothing at the time of his background in commercial art. To be honest, I didn’t think about him a hell of a lot.
BARBARA KRUGER

Art Honest Thinking
There’s a moment of recognition. It’s that white-light kind of stuff that just “works.” I love that. And you know it when it happens, whether it’s a movie, music, a building, a book.
BARBARA KRUGER

Artist Book Light
I had to figure out how to bring the world into my work.
BARBARA KRUGER

Artist Figure World
I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I’m trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level.
BARBARA KRUGER

Art Thinking Trying
Prominence is cool, but when the delusion kicks in it can be a drag. Especially if you choose to surround yourself with friends and not acolytes.
BARBARA KRUGER

Delusion Drag Surround Yourself
Architecture is my first love, if you want to talk about what moves me… the ordering of space, the visual pleasure, architecture’s power to construct our days and nights.
BARBARA KRUGER

First Love Moving Night
I just say I’m an artist who works with pictures and words.
BARBARA KRUGER

Artist Pictures Words
We are obliged to steal pieces of language, both visual and textual.
BARBARA KRUGER

Language Pieces Stealing
It’s really hard for me to use the term ‘history’ in the singular, because it suggests a reductivist view of how moments and events congeal and reflect the passage of time. I’d rather stick to the pluralness of ‘histories’ in order to suggest the simultaneity, the parallel forces at work, which produce lived experience.
BARBARA KRUGER

History Order Views
Look, we’re all saddled with things that make us better or worse. This world is a crazy place, and I’ve chosen to make my work about that insanity.
BARBARA KRUGER

Crazy Insanity Looks
I like suggesting that ‘we are slaves to the objects around us,’ that ‘plenty should be enough,’ or that the ‘buyer should beware,’ within the context of conventional selling space.
BARBARA KRUGER

Enough Slave Space
Direct address has been a consistent tactic in my work, regardless of the medium that I’m working in.
BARBARA KRUGER

Artist Rehabilitation Tactics

What makes the production of my work so expensive? The whole installation thing – the construction, the objects, the technology. It really adds up.

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What makes the production of my work so expensive? The whole installation thing – the construction, the objects, the technology. It really adds up.

Related Topics

Popular Authors

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