Direct address has been a consistent tactic in my work, regardless of the medium that I’m working in.
BARBARA KRUGERThings change and work changes. Right now I like the idea of enveloping a space and getting messages across that connect to the world in ways that seem familiar but are different.
More Barbara Kruger Quotes
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It’s really hard for me to use the term ‘history’ in the singular, because it suggests a reductivist view of how moments and events congeal and reflect the passage of time. I’d rather stick to the pluralness of ‘histories’ in order to suggest the simultaneity, the parallel forces at work, which produce lived experience.
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There are so many moments and works that influence us in what we do. Movies, music, TV and, most importantly, the profound everydayness of our lives.
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We are obliged to steal pieces of language, both visual and textual.
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I’m trying to deal with ideas about histories, fame, hearsay, and how public identities are constructed.
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Art is as heavy as sorrow, as light as a breeze, as bright as an idea, as pretty as a picture, as funny as money, and as fugitive as fraud!
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I just say I’m an artist who works with pictures and words.
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I’ve always been very tied to language.
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As with the Princess Di crash, which sent the media on the most insane feeding frenzy. From the moment of the crash, the pornography of sentiment never let up.
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If most American cities are about the consumption of culture, Los Angeles and New York are about the production of culture – not only national culture but global culture.
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I think pictures and words have the power to make us rich or poor.
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Money talks. It starts rumors about careers and complicity and speaks of the tragedies and triumphs of our social lives.
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What makes the production of my work so expensive? The whole installation thing – the construction, the objects, the technology. It really adds up.
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Fashion is everywhere and about everything. It is folly, vanity and the fun of it all. It is disguise, innuendo, and cunning. It is mean, gorgeous and ambitious, and definitely the last word for the next few seconds.
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I try to deal with the complexities of power and social life, but as far as the visual presentation goes I purposely avoid a high degree of difficulty.
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Images are made palpable, ironed flat by technology and, in turn, dictate the seemingly real through the representative.
BARBARA KRUGER