“Although I’m up for working in any genre, I do love the passion and dynamic storytelling that horror stories can provide. Dealing with big questions and possibilities of all sorts of stories with life and death consequences is enthralling and exhilarating to me.”

As I’ve matured, the roles are a bit more layered and representative of where I am today as an older person with more responsibilities, perspective and hopefully not too many regrets.

When you’re working with friends, I think there’s a certain sensibility that you share, and it’s easy to coordinate your ideas and work together to bring them in a cohesive way.

I love reading scripts and offering notes and opinions. I’d like to be an advocate for the emerging filmmakers whom I’m working with.

I don’t think we’re the screaming femme fatale running away from danger as much as we used to be. I think people are seeing us as much more multi-layered personalities with desires, and wants, and needs as much as any male figure out there.

It’s very difficult to put together an independent movie and a lot of times people really don’t hire casting directors for that. Instead, they look for people that they’ve seen in other movies or they’re friends with.

When I work with filmmakers today, I’m really an advocate for the women’s roles that I see, to make them as layered and as deep as possible. I think many of them are underwritten.

I hope to be on the scene for a long time. I’d love to be old and gray and still be working in this [horror] genre.

I feel like Travis [Stevens] is just a Midas touch producer. Seemingly everything he touches turns to gold lately, so that was quite exciting looking at that prospect.

We’re evolving as a culture as well and as more equality gets supplanted in society, well, in the U.S. anyway, it’s only helping women. We do have much more work to do though, in spreading awareness about where we fall short in our culture and in other cultures.

Real equality in films is going to take time and will directly reflect our society. So ladies, please speak up at home, at work, at school, everywhere. As more women continue to find their place in Hollywood we have to keep pushing for more dynamic and strong women’s roles.

The people I love the most in the film industry are the writers. And I think they’re the people who are most vulnerable and are really open to new ideas. They’re the originators, the creators.

Everybody can justify their actions. We all think that we’re doing things for reasons that are meaningful to us. Maybe not to other people, but to us.

I guess in society there’s no place for women in their older thirties. We’re supposed to go sit on a shelf at some point… and wait.

Superhero roles seem to be popular. I’d like to see more female superheroes. How about a grandmother superhero? I’d pay good money to see that.

I watch the energy between the actors. That’s the most thrilling and interesting thing to me about watching a movie, what the actors are doing.

When I was a young actress, I was called in just to do my part, and I didn’t have any say or weight as far as any decisions go. But today, having worked as a producer and also having lived a little, I feel like I’ve found my voice more. I’m sure that it has influenced me as an actor and it will continue to do so.

The function of poetry is religious invocation of the muse; its use is the experience of mixed exaltation and horror that her presence excites.

Its raining love throw the umbrella away, do not shield me for love holds peace not terror.

I am trying my hardest to stay away from the horror movies just because I feel like people are thinking that’s what I do, that I’m a scream queen. I’d like to stay away from that.

For as this appalling ocean surrounds the verdant land, so in the soul of man there lies one insular Tahiti, full of peace and joy, but encompassed by all the horrors of the half known life.

Dark, dark! The horror of darkness, like a shroud, wraps me and bears me on through mist and cloud.

I’m a fan of horror movies that have really good stories.

Probably the undertaker thinks less of death than almost any other man. He is so accustomed to it that his mind must involuntarily turn from its horror to a contemplation of how much he makes out of the burial.

I’ve always thought the best way to teach a kid not to be scared of the dark is to fill his daylight hours with as much horror as possible.