There are people who kind of let you know that you can silence the room.
BABATUNDE ADEBIMPEAdding instruments to parts of a song and having them somehow find a pocket. That to me was a huge lesson. Like, there’s more than 808s in the universe.
More Babatunde Adebimpe Quotes
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I like the model of people getting together to make something when they want to do it and not being dictated to by a cycle.
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The feeling of being halfway through a show and just realizing that there’s nothing you can do to save it – it’s a horrible feeling.
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Most of the bands that I really like no longer exist. That might just be because I’m in my thirties or whatever. But I also think it’s the rare band that doesn’t, like, turn into something else.
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Oftentimes, when music is just blasting out it seems like it’s overcompensating for something missing in the song’s structure. When I think of the music that I listen to constantly, it’s never like an assault.
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I think that music and art and film, at their best, can connect with something that is eternal in human beings, that might not have so many labels on it, something that’s ultimately universal and that may just be a feeling.
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Most of the bands that I really hold in my heart – you don’t think about them as bands; they’re just the soundtrack of your life.
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One second you’re having the time of your life in front of all these people, and then you come backstage to the exact opposite – there’s only lukewarm carrots back there.
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There was something in me, even leaving fifth grade, that hit me and said, “I have to get out of here. I don’t know where, and I don’t know what else I can do but I’m really not going to end up like any of these people.”
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It’s insane when someone shows up to your show and is like, “You could run off with me right now!” I’m like, “It’s cool, I think I’m gonna go read.”
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Adam is one of my favourite writers, period. He has such a unique voice and he’s somebody who I admire so much for putting the effort into inventing his own language and furthering it.
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My father was a psychiatrist and a social worker but he was a very talented painter and musician and writer on the side.
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I probably couldn’t have the same experience listening to that song because I’m self-conscious about some of my singing parts.
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You turn into this desperate dude looking for a shred of attention when you just had so much. It’s like, “I’m just lonely and all I really want is a hug, but I gotta capture that in something real gross.” You start to understand why circus clowns are alcoholics.
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I was living in a loft with Dave Sitek – this loft full of people just working on their stuff. Some were painting, some were writing. Any plans you had were kind of like a plan for the next two months.
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There are a lot of spikes that can happen when what you’re doing starts to get attention or people start to talk about it. They can just kind of really do a number on your reasons for making music.
BABATUNDE ADEBIMPE