My father was a psychiatrist and a social worker but he was a very talented painter and musician and writer on the side.
BABATUNDE ADEBIMPEAdding instruments to parts of a song and having them somehow find a pocket. That to me was a huge lesson. Like, there’s more than 808s in the universe.
More Babatunde Adebimpe Quotes
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Oftentimes, when music is just blasting out it seems like it’s overcompensating for something missing in the song’s structure. When I think of the music that I listen to constantly, it’s never like an assault.
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The cynicism doesn’t come across in the final; it can be taken as a very sincere plea for someone to not go away.
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Hearing that [David] Bowie passed was like you don’t really believe it. It’s as if the sky shifted a little bit, to remind you it was there.
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I’ve had terrible, terrible, terrible shows where I just thought, “That was off-key” or I forgot lines or I thought I looked like an idiot, and then you’re leaving and talking to people, and they’re like, “I had the best time of my life! That was amazing!” You just never know.
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There are a lot of spikes that can happen when what you’re doing starts to get attention or people start to talk about it. They can just kind of really do a number on your reasons for making music.
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I think that music and art and film, at their best, can connect with something that is eternal in human beings, that might not have so many labels on it, something that’s ultimately universal and that may just be a feeling.
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I don’t want my reasons to be informed by what people think about what I’m doing.
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You turn into this desperate dude looking for a shred of attention when you just had so much. It’s like, “I’m just lonely and all I really want is a hug, but I gotta capture that in something real gross.” You start to understand why circus clowns are alcoholics.
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I like the model of people getting together to make something when they want to do it and not being dictated to by a cycle.
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Being 15 and like a punk in the DIY community, basically being with a group of people like no one else, it was the first place to exclude or call out if people were racist, sexist, homophobic or in any way prejudiced.
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Painting and animation can be kind of long work. Music was more immediate and more fun.
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No one wanted a job. No one could hold a job. You tend to see those going hand in hand.
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I feel like people just let each other live a little more in New York.
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Adding instruments to parts of a song and having them somehow find a pocket. That to me was a huge lesson. Like, there’s more than 808s in the universe.
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One second you’re having the time of your life in front of all these people, and then you come backstage to the exact opposite – there’s only lukewarm carrots back there.
BABATUNDE ADEBIMPE