I feel like now if you’re going to start a band you have to have an Instagram full of yourself looking a certain way, lined up like five dudes in mugshot alley, hanging out by the bridge or up against the wall, or “We’re in a library for some reason!”
BABATUNDE ADEBIMPEAdding instruments to parts of a song and having them somehow find a pocket. That to me was a huge lesson. Like, there’s more than 808s in the universe.
More Babatunde Adebimpe Quotes
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I want to be around these positive, expressive people who are doing something different and who also want to get the hell out of there and don’t want to be around basic human bullshit.
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It’s insane when someone shows up to your show and is like, “You could run off with me right now!” I’m like, “It’s cool, I think I’m gonna go read.”
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I have nothing against people getting their band back together, but the artists I love marked a time in my life, and to merge that time with now can be personally depressing.
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Hearing that [David] Bowie passed was like you don’t really believe it. It’s as if the sky shifted a little bit, to remind you it was there.
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I was living in a loft with Dave Sitek – this loft full of people just working on their stuff. Some were painting, some were writing. Any plans you had were kind of like a plan for the next two months.
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Painting and animation can be kind of long work. Music was more immediate and more fun.
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I know that being upset without having an avenue to fix anything is a real hard place to be in for too long. But it’s even worse thinking that it’ll go away if you just ignore it.
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I’ve had terrible, terrible, terrible shows where I just thought, “That was off-key” or I forgot lines or I thought I looked like an idiot, and then you’re leaving and talking to people, and they’re like, “I had the best time of my life! That was amazing!” You just never know.
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The feeling of being halfway through a show and just realizing that there’s nothing you can do to save it – it’s a horrible feeling.
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One second you’re having the time of your life in front of all these people, and then you come backstage to the exact opposite – there’s only lukewarm carrots back there.
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If you push hard enough you can change. You can take everything you know and round it up, turn it into something else, and keep turning things into something else.
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I don’t want my reasons to be informed by what people think about what I’m doing.
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Ten years is a pretty good run for anything.
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The cynicism doesn’t come across in the final; it can be taken as a very sincere plea for someone to not go away.
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Adam is one of my favourite writers, period. He has such a unique voice and he’s somebody who I admire so much for putting the effort into inventing his own language and furthering it.
BABATUNDE ADEBIMPE






