I like the model of people getting together to make something when they want to do it and not being dictated to by a cycle.
BABATUNDE ADEBIMPEAdding instruments to parts of a song and having them somehow find a pocket. That to me was a huge lesson. Like, there’s more than 808s in the universe.
More Babatunde Adebimpe Quotes
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Painting and animation can be kind of long work. Music was more immediate and more fun.
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There was something in me, even leaving fifth grade, that hit me and said, “I have to get out of here. I don’t know where, and I don’t know what else I can do but I’m really not going to end up like any of these people.”
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Touring is really a weird social experiment, even though everyone thinks it’s a party every day.
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I feel like now if you’re going to start a band you have to have an Instagram full of yourself looking a certain way, lined up like five dudes in mugshot alley, hanging out by the bridge or up against the wall, or “We’re in a library for some reason!”
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When I’m in the mode of feeling positive about love, I don’t really feel the need to mark it down in song. In fact, I know what that song would sound like, and I would not subject anybody to that.
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Ten years is a pretty good run for anything.
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I feel like people just let each other live a little more in New York.
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Adam is one of my favourite writers, period. He has such a unique voice and he’s somebody who I admire so much for putting the effort into inventing his own language and furthering it.
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There are a lot of spikes that can happen when what you’re doing starts to get attention or people start to talk about it. They can just kind of really do a number on your reasons for making music.
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Hearing that [David] Bowie passed was like you don’t really believe it. It’s as if the sky shifted a little bit, to remind you it was there.
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I don’t want my reasons to be informed by what people think about what I’m doing.
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My father was a psychiatrist and a social worker but he was a very talented painter and musician and writer on the side.
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I have nothing against people getting their band back together, but the artists I love marked a time in my life, and to merge that time with now can be personally depressing.
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I was living in a loft with Dave Sitek – this loft full of people just working on their stuff. Some were painting, some were writing. Any plans you had were kind of like a plan for the next two months.
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Regarding race or gender or sexuality, one of the great things about art and music is that they can provide people with very little else in common with a similar entry point for discussion, but the discussions still need to happen for life to get more interesting.
BABATUNDE ADEBIMPE