I am a man by virtue of my hands and my feet, my belly, my heart of meat, my stomach whose knots reunite me to the putrefaction of life.
ANTONIN ARTAUDThose who live, live off the dead.
More Antonin Artaud Quotes
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Cruelty in the theatre is unrelenting decisiveness, diligence, strictness.
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Life consists of burning up questions.
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We have the right to lie, but not about the heart of the matter.
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If our life lacks a constant magic it is because we choose to observe our acts and lose ourselves in consideration of their imagined form and meaning, instead of being impelled by their force.
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I would like to write a Book which would drive men mad, which would be like an open door leading them where they would never have consented to go, in short, a door that opens onto reality.
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Don’t tire yourself more than need be, even at the price of founding a culture on the fatigue of your bones.
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I do not like detached creation. Neither can I conceive of the mind as detached from itself. Each of my works, each diagram of myself, each glacial flowering of my inmost soul dribbles over me.
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We must wash literature off ourselves. We want to be men above all, to be human.
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Poetry is a dissociating and anarchic force which through analogy, associations and imagery, thrives on the destruction of known relationships.
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Squander your riches far from this unfeeling body to which no season, either spiritual or sensual, makes any difference.
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Destroy yourselves, you who are desperate, and you who are tortured in body and soul, abandon all hope. There is no more solace for you in this world. The world lives off your rotting flesh.
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So long as we have failed to eliminate any of the causes of human despair, we do not have the right to try to eliminate those means by which man tries to cleanse himself of despair.
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The idea of a detached art, of poetry as a charm which exists only to distract our leisure, is a decadent idea and an unmistakable symptom of our power to castrate.
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Hell is of this world and there are men who are unhappy escapees from hell, escapees destined ETERNALLY to reenact their escape.
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And if there is still one hellish, truly accursed thing in our time, it is our artistic dallying with forms, instead of being like victims burnt at the stake, signaling through the flames.
ANTONIN ARTAUD






