We have the right to lie, but not about the heart of the matter.
ANTONIN ARTAUDA tainted society has invented psychiatry to defend itself against the investigations of certain superior intellects whose faculties of divination would be troublesome.
More Antonin Artaud Quotes
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I abandon myself to the fever of dreams, in search for new laws.
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No one has ever written, painted, sculpted, modeled, built, or invented except literally to get out of hell.
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There are those who go to the theatre as they would go to a brothel.
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There is nothing like an insane asylum for gently incubating death.
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Without sarcasm I sink into chaos.
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Destroy yourselves, you who are desperate, and you who are tortured in body and soul, abandon all hope. There is no more solace for you in this world. The world lives off your rotting flesh.
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We do not die because we have to die; we die because one day, and not so long ago, our consciousness was forced to deem it necessary.
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I am a man by virtue of my hands and my feet, my belly, my heart of meat, my stomach whose knots reunite me to the putrefaction of life.
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The race of prophets is extinct. Europe is becoming set in its ways, slowly embalming itself beneath the wrappings of its borders, its factories, its law-courts and its universities. The frozen Mind cracks between the mineral staves which close upon it.
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So society has strangled in its asylums all those it wanted to get rid of or protect itself from, because they refused to become its accomplices in certain great nastinesses.
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It is not opium which makes me work but its absence, and in order for me to feel its absence it must from time to time be present.
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I cannot conceive any work of art as having a separate existence from life itself.
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In our present state of degeneration it is through the skin that metaphysics must be made to re-enter our minds.
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Squander your riches far from this unfeeling body to which no season, either spiritual or sensual, makes any difference.
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Like all magic cultures expressed by appropriate hieroglyphs, the true theater has its shadows too, and, of all languages and all arts, the theater is the only one left whose shadows have shattered their limitations.
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Cruelty signifies rigor, implacable intention and decision, irreversible and absolute determination.
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And if there is still one hellish, truly accursed thing in our time, it is our artistic dallying with forms, instead of being like victims burnt at the stake, signaling through the flames.
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There is in every madman a misunderstood genius whose idea, shining in his head, frightened people, and for whom delirium was the only solution to the strangulation that life had prepared for him.
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To break through language in order to touch life is to create or re-create the theater.
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Written poetry is worth reading once, and then should be destroyed. Let the dead poets make way for others.
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I am stigmatized by a living death in which real death holds no terrors for me.
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I have need of angels. Enough hell has swallowed me for too many years. But finally understand this–I have burned up one hundred thousand human lives already, from the strength of my pain.
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When I think about myself, my thought seeks itself in the ether of a new space. I am on the moon as others are on their balconies. I participate in planetary gravitation in the fissures of my mind.
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A real theatrical experience shakes the calm of the senses, liberates the compressed unconscious and drives towards a kind of potential revolt.
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Excuse my absolute freedom. I refuse to make a distinction between any of the moments of myself.
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In consciousness dwells the wondrous, with it man attains the realm beyond the material, and the Peyote tells us, where to find it.
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