There are those who go to the theatre as they would go to a brothel.
ANTONIN ARTAUDA real theatrical experience shakes the calm of the senses, liberates the compressed unconscious and drives towards a kind of potential revolt.
More Antonin Artaud Quotes
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All true language is incomprehensible, like the chatter of a beggar’s teeth.
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There is in every madman a misunderstood genius whose idea, shining in his head, frightened people, and for whom delirium was the only solution to the strangulation that life had prepared for him.
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I know each conversation with a psychiatrist in the morning made me want to hang myself because I knew I could not strangle him.
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A real theatrical experience shakes the calm of the senses, liberates the compressed unconscious and drives towards a kind of potential revolt.
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So long as we have failed to eliminate any of the causes of human despair, we do not have the right to try to eliminate those means by which man tries to cleanse himself of despair.
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How hard is it, when everything encourages us to sleep, though we may look about us with conscious, clinging eyes, to wake and yet look about us as in a dream, with eyes that no longer know their function and whose gaze is turned inward.
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There is nothing like an insane asylum for gently incubating death.
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I cannot conceive any work of art as having a separate existence from life itself.
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And if there is still one hellish, truly accursed thing in our time, it is our artistic dallying with forms, instead of being like victims burnt at the stake, signaling through the flames.
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When we speak the word ‘life,’ it must be understood we are not referring to life as we know it from its surface of fact, but to that fragile, fluctuating center which forms never reach.
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This is why true beauty never strikes us directly. The setting sun is beautiful because of all it makes us lose.
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No one has ever written, painted, sculpted, modeled, built, or invented except literally to get out of hell.
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[defines a madman as] a man who preferred to become mad,in the socially accepted sense of the word, rather than forfeit a certain superior idea of human honor.
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With society and its public, there is no longer any other language than that of bombs, barricades, and all that follows.
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I do not work within the confines of any realm. I work in the unique moment of duration.
ANTONIN ARTAUD