When I think about myself, my thought seeks itself in the ether of a new space. I am on the moon as others are on their balconies. I participate in planetary gravitation in the fissures of my mind.
ANTONIN ARTAUDActors are athletes of the heart.
More Antonin Artaud Quotes
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The truth of life lies in the impulsiveness of matter. The mind of man has been poisoned by concepts. Do not ask him to be content, ask him only to be calm, to believe that he has found his place. But only the madman is really calm.
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Before our eyes is fought a battle of symbols, for there can be theatre only from the moment when the impossible really begins and when the poetry that occurs on the stage sustains and superheats the realized symbols.
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All true language is incomprehensible, like the chatter of a beggar’s teeth.
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So long as we have failed to eliminate any of the causes of human despair, we do not have the right to try to eliminate those means by which man tries to cleanse himself of despair.
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A real theatrical experience shakes the calm of the senses, liberates the compressed unconscious and drives towards a kind of potential revolt.
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Written poetry is worth reading once, and then should be destroyed. Let the dead poets make way for others.
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Don’t tire yourself more than need be, even at the price of founding a culture on the fatigue of your bones.
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Without sarcasm I sink into chaos.
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I do not work within the confines of any realm. I work in the unique moment of duration.
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Destroy yourselves, you who are desperate, and you who are tortured in body and soul, abandon all hope. There is no more solace for you in this world. The world lives off your rotting flesh.
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The true theater, because it moves and makes use of living instruments, continues to stir up shadows where life has never ceased to grope its way.
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I prefer the people who eat off the bare earth the delirium from which they were born.
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We must wash literature off ourselves. We want to be men above all, to be human.
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Squander your riches far from this unfeeling body to which no season, either spiritual or sensual, makes any difference.
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The race of prophets is extinct. Europe is becoming set in its ways, slowly embalming itself beneath the wrappings of its borders, its factories, its law-courts and its universities. The frozen Mind cracks between the mineral staves which close upon it.
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If our life lacks a constant magic it is because we choose to observe our acts and lose ourselves in consideration of their imagined form and meaning, instead of being impelled by their force.
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Cruelty in the theatre is unrelenting decisiveness, diligence, strictness.
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I know each conversation with a psychiatrist in the morning made me want to hang myself because I knew I could not strangle him.
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To break through language in order to touch life is to create or re-create the theater.
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Life consists of burning up questions.
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We do not die because we have to die; we die because one day, and not so long ago, our consciousness was forced to deem it necessary.
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I call for actors burning at the stakes, laughing at the flames.
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The fixation of the theater in one language–written words, music, lights, noises–betokens its imminent ruin.
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Actors are athletes of the heart.
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A tainted society has invented psychiatry to defend itself against the investigations of certain superior intellects whose faculties of divination would be troublesome.
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So society has strangled in its asylums all those it wanted to get rid of or protect itself from, because they refused to become its accomplices in certain great nastinesses.
ANTONIN ARTAUD