So society has strangled in its asylums all those it wanted to get rid of or protect itself from, because they refused to become its accomplices in certain great nastinesses.
ANTONIN ARTAUDThe actor is merely a crude empiricist, a practitioner guided by vague instinct.
More Antonin Artaud Quotes
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I abandon myself to the fever of dreams, in search for new laws.
ANTONIN ARTAUD -
Hell is of this world and there are men who are unhappy escapees from hell, escapees destined ETERNALLY to reenact their escape.
ANTONIN ARTAUD -
All writing is garbage. People who come out of nowhere to try and put into words any part of what goes on in their minds are pigs.
ANTONIN ARTAUD -
There is nothing like an insane asylum for gently incubating death.
ANTONIN ARTAUD -
We must wash literature off ourselves. We want to be men above all, to be human.
ANTONIN ARTAUD -
I myself am an absolute abyss.
ANTONIN ARTAUD -
We have the right to lie, but not about the heart of the matter.
ANTONIN ARTAUD -
By suicide I introduce my design in nature, I shall for the first time give things the shape of my will … now I choose the direction of my thought and the direction of my faculties, my tendencies, my reality.
ANTONIN ARTAUD -
I prefer the people who eat off the bare earth the delirium from which they were born.
ANTONIN ARTAUD -
Squander your riches far from this unfeeling body to which no season, either spiritual or sensual, makes any difference.
ANTONIN ARTAUD -
A real theatrical experience shakes the calm of the senses, liberates the compressed unconscious and drives towards a kind of potential revolt.
ANTONIN ARTAUD -
I would like to write a Book which would drive men mad, which would be like an open door leading them where they would never have consented to go, in short, a door that opens onto reality.
ANTONIN ARTAUD -
In consciousness dwells the wondrous, with it man attains the realm beyond the material, and the Peyote tells us, where to find it.
ANTONIN ARTAUD -
Before our eyes is fought a battle of symbols, for there can be theatre only from the moment when the impossible really begins and when the poetry that occurs on the stage sustains and superheats the realized symbols.
ANTONIN ARTAUD -
The actor is merely a crude empiricist, a practitioner guided by vague instinct.
ANTONIN ARTAUD