“You don’t make a photograph just with a camera”

We all move on the fringes of eternity and are sometimes granted vistas through fabric of illusion.

A great photograph is a full expression of what one feels…

Ask yourself, ‘Why am I seeing and feeling this? How am I growing? What am I learning?’ Remember: Every coincidence is potentially meaningful.

No man has the right to dictate what other men should perceive, create or produce, but all should be encouraged to reveal themselves, their perceptions and emotions, and to build confidence in the creative spirit.

Some photographers take reality and impose the domination of their own thought and spirit. Others come before reality more tenderly and a photograph to them is an instrument of love and revelation.

Landscape photography is the supreme test of the photographer – and often the supreme disappointment.

A true photograph need not be explained, nor can it be contained in words.

It is the photographer, not the camera, that is the instrument.

I believe the world is incomprehensibly beautiful – an endless prospect of magic and wonder.

Millions of men have lived to fight, build palaces and boundaries, shape destinies and societies; but the compelling force of all times has been the force of originality and creation profoundly affecting the roots of human spirit.

Photograph not only what you see but also what you feel.

A great photograph is one that fully expresses what one feels, in the deepest sense, about what is being photographed.

The only things in my life that compatibly exists with this grand universe are the creative works of the human spirit.

The negative is comparable to the composer’s score and the print to its performance. Each performance differs in subtle ways.

There is nothing worse than a sharp image of a fuzzy concept.

Art is both the taking and giving of beauty, the turning out to the light of the inner folds of the awareness of the spirit.

I think I’m better behind the camera than I am in front.

Once you develop a comfort level with someone, that translates on camera.

It is important to understand what are you trying to capture with a camera. What you want to use this tool for. It helps to begin to search for and concentrate on thematic photography.

I began working with a family camera. It was called a Kodak Autographic, which was one of those things where you flopped it open and pulled out the bellows. And I’ve been at it ever since – I’ve never stopped.

The camera can capture thought in a way that’s quite surprising and shocking. You can become very simple and minimal in your work and communicate a lot with just a finger or an eyebrow, or a look, or a glance.

I’m not an equipment nut. I tend to use whatever’s at hand. I have several cameras, of course, but I’m not emotional about any of them

The only way to kill death is through photography.

I’m quite comfortable looking at myself in movies, probably because I’ve been doing it for so long, since I was a kid. So I sort of watched myself grow up and go through adolescence, like, basically on camera.