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In every work of art the subject is primordial, whether the artist knows it or not. The measure of the formal qualities is only a sign of the measure of the artist’s obsession with his subject; the form is always in proportion to the obsession.

Alberto Giacometti

In every work of art the subject is primordial, whether the artist knows it or not. The measure of the formal qualities is only a sign of the measure of the artist’s obsession with his subject; the form is always in proportion to the obsession.
ALBERTO GIACOMETTI

Art Himself Measurement Obsession Subject Work
The form is always the measure of the obsession.
ALBERTO GIACOMETTI

Form Measurement Obsession
Whores are the most honest girls. They present the bill right away.
ALBERTO GIACOMETTI

Honesty Prostitution Sex Woman
Once the object has been constructed, I have a tendency to rediscover in it, transformed and displaced, images, impressions, facts which have deeply moved me (often without my knowing it).
ALBERTO GIACOMETTI

Discover Image Known Myself Object Transformation
I paint and sculpt to get a grip on reality… to protect myself.
ALBERTO GIACOMETTI

Myself Paint Protection Reality Sculpture
Only reality interests me now and I know I could spend the rest of my life in copying a chair.
ALBERTO GIACOMETTI

Chair Copy Interest Myself Reality
At first, one sees the person who is modelling; but little by little, all of the possible sculptures that could be made come between artist and model.
ALBERTO GIACOMETTI

Artist Modeling Myself Person Possible Sculpture
All I can do will only ever be a faint image of what I see and my success will always be less than my failure or perhaps equal to the failure.
ALBERTO GIACOMETTI

Equality Failure Image Myself Success Willing
If I see everything in gray, and in gray all the colors which I experience and which I would like to reproduce, then why should I use any other color?
ALBERTO GIACOMETTI

Color Myself Reproduction See
I don’t know if I work in order to do something, or in order to know why I can’t do what I want to do.
ALBERTO GIACOMETTI

Myself Reason Work
In a fire, between a Rembrandt and a cat, I would save the cat.
ALBERTO GIACOMETTI

Animal Cat Choice Dangerous Myself Save
The more you fail, the more you succeed. It is only when everything is lost and – instead of giving up – you go on, that you experience the momentary prospect of some slight progress. Suddenly you have the feeling – be it an illusion or not – that something new has opened up.
ALBERTO GIACOMETTI

Experience Failure Feeling Give Up Lost Moments Open Progress Success Yourself
What I am looking for is not happiness. I work solely because it is impossible for me to do anything else.
ALBERTO GIACOMETTI

Happiness Impossible Myself Work
I don’t know who I am or who I was. I know it less than ever. I do and I don’t identify myself with myself. Everything is totally contradictory, but maybe I have remained exactly as I was as a small boy of twelve.
ALBERTO GIACOMETTI

Age Contradict Identify Myself Remain
When one lives with problems of importance, the prostitute is ideal. You pay, and whether or not you fail is of no importance. She doesn’t care.
ALBERTO GIACOMETTI

Care Failure Importance Live Problem Prostitution Yourself
When I see a head from a great distance, it ceases to be a sphere and becomes an extreme confusion falling down into the abyss.
ALBERTO GIACOMETTI

Confusion Distance Greatness Head Myself

In every work of art the subject is primordial, whether the artist knows it or not. The measure of the formal qualities is only a sign of the measure of the artist’s obsession with his subject; the form is always in proportion to the obsession.

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In every work of art the subject is primordial, whether the artist knows it or not. The measure of the formal qualities is only a sign of the measure of the artist’s obsession with his subject; the form is always in proportion to the obsession.

Related Topics

Popular Authors

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