I paint and sculpt to get a grip on reality… to protect myself.
ALBERTO GIACOMETTIOnce the object has been constructed, I have a tendency to rediscover in it, transformed and displaced, images, impressions, facts which have deeply moved me (often without my knowing it).
More Alberto Giacometti Quotes
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Art is the residue of vision.
ALBERTO GIACOMETTI -
The human face is as strange to me as a countenance, which, the more one looks at it, the more it closes itself off and escapes by the steps of unknown stairways.
ALBERTO GIACOMETTI -
Once the object has been constructed, I have a tendency to rediscover in it, transformed and displaced, images, impressions, facts which have deeply moved me (often without my knowing it).
ALBERTO GIACOMETTI -
The more I work, the more I see things differently, that is, everything gains in grandeur every day, becomes more and more unknown, more and more beautiful. The closer I come, the grander it is, the more remote it is.
ALBERTO GIACOMETTI -
All the sculptures of today, like those of the past, will end one day in pieces… So it is important to fashion ones work carefully in its smallest recess and charge every particle of matter with life.
ALBERTO GIACOMETTI -
The older I grow, the more I find myself alone.
ALBERTO GIACOMETTI -
That’s the terrible thing: the more one works on a picture, the more impossible it becomes to finish it.
ALBERTO GIACOMETTI -
When I make my drawings… the path traced by my pencil on the sheet of paper is, to some extent, analogous to the gesture of a man groping his way in the darkness.
ALBERTO GIACOMETTI -
Failure is my best friend. If I succeeded, it would be like dying. Maybe worse.
ALBERTO GIACOMETTI -
The object of art is not to reproduce reality, but to create a reality of the same intensity.
ALBERTO GIACOMETTI -
I’ve been fifty thousand times to the Louvre. I have copied everything in drawing, trying to understand.
ALBERTO GIACOMETTI -
It was always disappointing to see that what I could really master in terms of form boiled down to so little.
ALBERTO GIACOMETTI -
I’ve tried doing so, for it was never my intention to paint only with gray. But in the course of my work I have eliminated one color after another, and what has remained is gray, gray, gray!
ALBERTO GIACOMETTI -
If I see everything in gray, and in gray all the colors which I experience and which I would like to reproduce, then why should I use any other color?
ALBERTO GIACOMETTI -
I see something, find it marvelous, want to try and do it. Whether it fails or whether it comes off in the end becomes secondary. So long as I’ve learned something about why.
ALBERTO GIACOMETTI