The object of art is not to reproduce reality, but to create a reality of the same intensity.
ALBERTO GIACOMETTIIn a fire, between a Rembrandt and a cat, I would save the cat.
More Alberto Giacometti Quotes
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The older I grow, the more I find myself alone.
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It is impossible to do a thing the way I see it because the closer I get the more differently I see.
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All the art of the past rises up before me, the art of all ages and all civilizations, everything becomes simultaneous, as if space had replaced time. Memories of works of art blend with affective memories, with my work, with my whole life.
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I see something, find it marvelous, want to try and do it. Whether it fails or whether it comes off in the end becomes secondary. So long as I’ve learned something about why.
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Whores are the most honest girls. They present the bill right away.
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All I can do will only ever be a faint image of what I see and my success will always be less than my failure or perhaps equal to the failure.
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When one lives with problems of importance, the prostitute is ideal. You pay, and whether or not you fail is of no importance. She doesn’t care.
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The more you fail, the more you succeed. It is only when everything is lost and – instead of giving up – you go on, that you experience the momentary prospect of some slight progress. Suddenly you have the feeling – be it an illusion or not – that something new has opened up.
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What I am looking for is not happiness. I work solely because it is impossible for me to do anything else.
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When I make my drawings… the path traced by my pencil on the sheet of paper is, to some extent, analogous to the gesture of a man groping his way in the darkness.
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The human face is as strange to me as a countenance, which, the more one looks at it, the more it closes itself off and escapes by the steps of unknown stairways.
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I paint and sculpt to get a grip on reality… to protect myself.
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Artistically I am still a child with a whole life ahead of me to discover and create. I want something, but I won’t know what it is until I succeed in doing it.
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Taste for things of the past evolves, doesn’t it? What was a masterpiece a hundred years ago is no longer so today.
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All the sculptures of today, like those of the past, will end one day in pieces… So it is important to fashion ones work carefully in its smallest recess and charge every particle of matter with life.
ALBERTO GIACOMETTI