That’s the terrible thing: the more one works on a picture, the more impossible it becomes to finish it.
ALBERTO GIACOMETTIThe more I work, the more I see things differently, that is, everything gains in grandeur every day, becomes more and more unknown, more and more beautiful. The closer I come, the grander it is, the more remote it is.
More Alberto Giacometti Quotes
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In the past I have never thought about loneliness when working, and I don’t think about it now. Yet there must be a reason for the fact that so many people talk about it.
ALBERTO GIACOMETTI -
The object of art is not to reproduce reality, but to create a reality of the same intensity.
ALBERTO GIACOMETTI -
When one lives with problems of importance, the prostitute is ideal. You pay, and whether or not you fail is of no importance. She doesn’t care.
ALBERTO GIACOMETTI -
I paint and sculpt to get a grip on reality… to protect myself.
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When I make my drawings… the path traced by my pencil on the sheet of paper is, to some extent, analogous to the gesture of a man groping his way in the darkness.
ALBERTO GIACOMETTI -
I’ve been fifty thousand times to the Louvre. I have copied everything in drawing, trying to understand.
ALBERTO GIACOMETTI -
The head is what matters. The rest of the body plays the part of antennae making life possible for people and life itself is inside the skull.
ALBERTO GIACOMETTI -
I don’t know who I am or who I was. I know it less than ever. I do and I don’t identify myself with myself. Everything is totally contradictory, but maybe I have remained exactly as I was as a small boy of twelve.
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The older I grow, the more I find myself alone.
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All the sculptures of today, like those of the past, will end one day in pieces… So it is important to fashion ones work carefully in its smallest recess and charge every particle of matter with life.
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Only reality interests me now and I know I could spend the rest of my life in copying a chair.
ALBERTO GIACOMETTI -
Art is the residue of vision.
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The human face is as strange to me as a countenance, which, the more one looks at it, the more it closes itself off and escapes by the steps of unknown stairways.
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If I see everything in gray, and in gray all the colors which I experience and which I would like to reproduce, then why should I use any other color?
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The one thing that fills me with enthusiasm is to try, despite everything, to get nearer to those visions that seem so hard to express.
ALBERTO GIACOMETTI