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When I make my drawings… the path traced by my pencil on the sheet of paper is, to some extent, analogous to the gesture of a man groping his way in the darkness.

Alberto Giacometti

I don’t know if I work in order to do something, or in order to know why I can’t do what I want to do.
ALBERTO GIACOMETTI

Myself Reason Work
It is impossible to do a thing the way I see it because the closer I get the more differently I see.
ALBERTO GIACOMETTI

Close Different Impossible Myself See
I see something, find it marvelous, want to try and do it. Whether it fails or whether it comes off in the end becomes secondary. So long as I’ve learned something about why.
ALBERTO GIACOMETTI

End Failure Learning Myself See Try
The older I grow, the more I find myself alone.
ALBERTO GIACOMETTI

Alone Finding Growth Myself Old
The more you fail, the more you succeed. It is only when everything is lost and – instead of giving up – you go on, that you experience the momentary prospect of some slight progress. Suddenly you have the feeling – be it an illusion or not – that something new has opened up.
ALBERTO GIACOMETTI

Experience Failure Feeling Give Up Lost Moments Open Progress Success Yourself
The more I work, the more I see things differently, that is, everything gains in grandeur every day, becomes more and more unknown, more and more beautiful. The closer I come, the grander it is, the more remote it is.
ALBERTO GIACOMETTI

Beautiful Day Different Myself Work
In every work of art the subject is primordial, whether the artist knows it or not. The measure of the formal qualities is only a sign of the measure of the artist’s obsession with his subject; the form is always in proportion to the obsession.
ALBERTO GIACOMETTI

Art Himself Measurement Obsession Subject Work
The form is always the measure of the obsession.
ALBERTO GIACOMETTI

Form Measurement Obsession
If we master a bit of drawing, everything else is possible.
ALBERTO GIACOMETTI

Drawing Master Possible Potential
The human face is as strange to me as a countenance, which, the more one looks at it, the more it closes itself off and escapes by the steps of unknown stairways.
ALBERTO GIACOMETTI

Escape Face Human Oneself Strange Unknown
If only someone else could paint what I see, it would be marvellous, because then I wouldnt have to paint at all.
ALBERTO GIACOMETTI

Marvelous Myself Paint See
In a fire, between a Rembrandt and a cat, I would save the cat.
ALBERTO GIACOMETTI

Animal Cat Choice Dangerous Myself Save
When I make my drawings… the path traced by my pencil on the sheet of paper is, to some extent, analogous to the gesture of a man groping his way in the darkness.
ALBERTO GIACOMETTI

Appearance Darkness Drawing Man Myself Path
The object of art is not to reproduce reality, but to create a reality of the same intensity.
ALBERTO GIACOMETTI

Art Intensity Object Reality Reproduction
The head is what matters. The rest of the body plays the part of antennae making life possible for people and life itself is inside the skull.
ALBERTO GIACOMETTI

Body Head Life Play Possible Skull
At first, one sees the person who is modelling; but little by little, all of the possible sculptures that could be made come between artist and model.
ALBERTO GIACOMETTI

Artist Modeling Myself Person Possible Sculpture

When I make my drawings… the path traced by my pencil on the sheet of paper is, to some extent, analogous to the gesture of a man groping his way in the darkness.

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When I make my drawings… the path traced by my pencil on the sheet of paper is, to some extent, analogous to the gesture of a man groping his way in the darkness.

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Popular Authors

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