The album was rejected by Arista, not surprisingly, and we then renegotiated our deal for the future and the next album,
ALAN PARSONSThe album was rejected by Arista, not surprisingly, and we then renegotiated our deal for the future and the next album,
ALAN PARSONSIt was a real education, going right from the consumer end to the record factory.
ALAN PARSONSIf I have anything to do with it. I have not heard it since it was finished. I hope the tapes no longer exist.
ALAN PARSONSI try to find a way that the other guy hasn’t thought of using a sound or a sample.
ALAN PARSONSI started in a research lab for TV cameras, then I worked at a tape duplication facility.
ALAN PARSONSI was 17 and just learning what high fidelity was, what good sound was, and learning the mechanics of tape machines.
ALAN PARSONSI’m delighted about the track’s success in the sports world, but the frustrating thing is,
ALAN PARSONSI don’t think I got rich on it. The labels and publishers did very cheap deals on our songs.
ALAN PARSONSAny effects created before 1975 were done with either tape or echo chambers or some kind of acoustic treatment. No magic black boxes!
ALAN PARSONSThe Sicilian Defence was our attempt at quickly fulfilling our contractual obligation after I Robot, Pyramid and Eve had been delivered.
ALAN PARSONSWe realized that, Oh my God, we’re actually playing in THE Kremlin!.
ALAN PARSONSFolk rock was my real roots. I did a few gigs as a folk artist, in the style of Fairport Convention.
ALAN PARSONSAudiophiles don’t use their equipment to listen to your music.
ALAN PARSONSI had the honor of speaking with Asimov.
ALAN PARSONSThe album ended up being something not directly related to Asimov, but related instead to the concept of the power of robotics.
ALAN PARSONSAudiophiles use your music to listen to their equipment.
ALAN PARSONS