The Dark Side of the Moon is a fine album with a textural and conceptual richness that not only invites, but demands involvement.
ALAN PARSONSIn Russia we had to have special visas in our passports, and when we had to show our passports at the Kremlin gates.
More Alan Parsons Quotes
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It was a real education, going right from the consumer end to the record factory.
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If I have anything to do with it. I have not heard it since it was finished. I hope the tapes no longer exist.
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The album was rejected by Arista, not surprisingly, and we then renegotiated our deal for the future and the next album,
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I had the honor of speaking with Asimov.
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The album ended up being something not directly related to Asimov, but related instead to the concept of the power of robotics.
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That was the first introduction for me to recorded music and hi-fi.
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Audiophiles don’t use their equipment to listen to your music.
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I started in a research lab for TV cameras, then I worked at a tape duplication facility.
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In France, you can sell a lot, but nobody outside of France ever hears of it.
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We realized that, Oh my God, we’re actually playing in THE Kremlin!.
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I was 17 and just learning what high fidelity was, what good sound was, and learning the mechanics of tape machines.
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I don’t think I got rich on it. The labels and publishers did very cheap deals on our songs.
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In Russia we had to have special visas in our passports, and when we had to show our passports at the Kremlin gates.
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I try to find a way that the other guy hasn’t thought of using a sound or a sample.
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Any effects created before 1975 were done with either tape or echo chambers or some kind of acoustic treatment. No magic black boxes!
ALAN PARSONS