I was 17 and just learning what high fidelity was, what good sound was, and learning the mechanics of tape machines.
ALAN PARSONSIn Russia we had to have special visas in our passports, and when we had to show our passports at the Kremlin gates.
More Alan Parsons Quotes
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Any effects created before 1975 were done with either tape or echo chambers or some kind of acoustic treatment. No magic black boxes!
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If I have anything to do with it. I have not heard it since it was finished. I hope the tapes no longer exist.
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The Dark Side of the Moon is a fine album with a textural and conceptual richness that not only invites, but demands involvement.
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I’m delighted about the track’s success in the sports world, but the frustrating thing is,
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The Turn of a Friendly Card. The Sicilian Defence album was never released and never will be.
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I try to find a way that the other guy hasn’t thought of using a sound or a sample.
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We realized that, Oh my God, we’re actually playing in THE Kremlin!.
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That was the first introduction for me to recorded music and hi-fi.
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I don’t think I got rich on it. The labels and publishers did very cheap deals on our songs.
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In France, you can sell a lot, but nobody outside of France ever hears of it.
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I had the honor of speaking with Asimov.
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The Sicilian Defence was our attempt at quickly fulfilling our contractual obligation after I Robot, Pyramid and Eve had been delivered.
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It was a real education, going right from the consumer end to the record factory.
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There is a certain grandeur.
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The album ended up being something not directly related to Asimov, but related instead to the concept of the power of robotics.
ALAN PARSONS