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We realized that, Oh my God, we’re actually playing in THE Kremlin!.

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Any effects created before 1975 were done with either tape or echo chambers or some kind of acoustic treatment. No magic black boxes!
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I had the honor of speaking with Asimov.
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I started in a research lab for TV cameras, then I worked at a tape duplication facility.
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The Sicilian Defence was our attempt at quickly fulfilling our contractual obligation after I Robot, Pyramid and Eve had been delivered.
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I try to find a way that the other guy hasn’t thought of using a sound or a sample.
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The album was rejected by Arista, not surprisingly, and we then renegotiated our deal for the future and the next album,
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In Russia we had to have special visas in our passports, and when we had to show our passports at the Kremlin gates.
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Folk rock was my real roots. I did a few gigs as a folk artist, in the style of Fairport Convention.
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I’m delighted about the track’s success in the sports world, but the frustrating thing is,
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There is a certain grandeur.
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It was a real education, going right from the consumer end to the record factory.
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I don’t think I got rich on it. The labels and publishers did very cheap deals on our songs.
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I was 17 and just learning what high fidelity was, what good sound was, and learning the mechanics of tape machines.
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The Turn of a Friendly Card. The Sicilian Defence album was never released and never will be.
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