I’ve had some fantastically good people help me make the movies.
ALAN PARKERA Great Movie Evolves when Everybody Has the Same Vision in Their Heads.
More Alan Parker Quotes
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I’ve had some fantastically good people help me make the movies.
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Well, if you ask any filmmaker how they got into it, everyone came a different route.
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Film-making is a physically hard job.
ALAN PARKERFilm-making is a physically hard job.
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Ive never actually watched another director work.
ALAN PARKERIve never actually watched another director work.
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If you’d been where I’d been… if you’d seen the things I’d seen!… you… you’d be me… Or someone following me around.
ALAN PARKERIf you’d been where I’d been… if you’d seen the things I’d seen!… you… you’d be me… Or someone following me around.
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Making a film is so hard that if you don’t have your main actors going along with the ride with the rest of the crew it can make your life very difficult.
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It doesn’t matter what the technology is – no one will watch a Peter Greenaway film anyway.
ALAN PARKERIt doesn’t matter what the technology is – no one will watch a Peter Greenaway film anyway.
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Rain is also very difficult to film, particularly in Ireland because it’s quite fine.
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I’m a pluralist. I’ve always argued that as many different films as possible should be made.
ALAN PARKERI’m a pluralist. I’ve always argued that as many different films as possible should be made.
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I’ve always been completely autocratic. I’ve never learned to be diplomatic or democratic.
ALAN PARKERI’ve always been completely autocratic. I’ve never learned to be diplomatic or democratic.
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Have a go. Anybody can do it.
ALAN PARKERHave a go. Anybody can do it.
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This seems quite good, a bit familiar.’ Then I realise … It’s one of my movies. It’s a pretty odd feeling.
ALAN PARKERThis seems quite good, a bit familiar.’ Then I realise … It’s one of my movies. It’s a pretty odd feeling.
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I’m always afraid someone’s going to tap me on the shoulder one day and say, ‘Back to North London’.
ALAN PARKERI’m always afraid someone’s going to tap me on the shoulder one day and say, ‘Back to North London’.
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I was once described by one of my critics as an aesthetic fascist.
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A Great Movie Evolves when Everybody Has the Same Vision in Their Heads.
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A lot of directors prefer the solitude of the editing process, but I revel in the craziness of what a film set is.
ALAN PARKER


