“Most directors have little lists in their heads of people they really want to work with.”

So fine that the Irish don’t even acknowledge that it exists.

If you’d been where I’d been… if you’d seen the things I’d seen!… you… you’d be me… Or someone following me around.

Have a go. Anybody can do it.

I was once described by one of my critics as an aesthetic fascist.

I’m a pluralist. I’ve always argued that as many different films as possible should be made.

Rain is also very difficult to film, particularly in Ireland because it’s quite fine.

A Great Movie Evolves when Everybody Has the Same Vision in Their Heads.

The films that I do tend to polarise people’s views.

I’ve always been completely autocratic. I’ve never learned to be diplomatic or democratic.

Personally I am very much against the death penalty for several reasons.

Film-making is a physically hard job.

I always argued against the auteur theory; films are a collaborative art form.

I turn on the TV sometimes, start watching something and think.

A lot of directors prefer the solitude of the editing process, but I revel in the craziness of what a film set is.

I’m always afraid someone’s going to tap me on the shoulder one day and say, ‘Back to North London’.

Period recreation is very difficult unless you make a black and white movie.

My parents said, Oh, he’s going to be a director someday. I wanted to be an actor.

I have only one rule in acting – trust the director and give him heart and soul.

Oh, what the hell did I know? I went to the set the first day in full makeup and the director told me to take it off. So I did the film without makeup. I had nothing to do with anything I did. I never understood why I was so famous.

It’s scary being in a room with producers and saying, ‘Here’s my idea,’ when I’m scared to get shot down.

The director is the only person who knows what the film is about.

Most of the top actors and actresses may be working in ten or twelve films at the same time, so they will give one director two hours and maybe shoot in Bombay in the morning and Madras in the evening. It happens.

Sometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can’t leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.

My kind of director is an actor-director who writes.