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A Great Movie Evolves when Everybody Has the Same Vision in Their Heads.

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Envolve Everybody Great Head Movie Same Vision

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

I turn on the TV sometimes, start watching something and think.
ALAN PARKER

Something Sometimes Television Think Turn Watch
So fine that the Irish don’t even acknowledge that it exists.
ALAN PARKER

Acknowledge Country Even Exist Fine
Rain is also very difficult to film, particularly in Ireland because it’s quite fine.
ALAN PARKER

Difficult Film Fine Ireland Particularly Quite Rain
Well, if you ask any filmmaker how they got into it, everyone came a different route.
ALAN PARKER

Any Ask Came Different Everyone Filmmaker Got Into Route Well
I’ve had some fantastically good people help me make the movies.
ALAN PARKER

Fantastic Good Help Make Movie People Some
Period recreation is very difficult unless you make a black and white movie.
ALAN PARKER

Black Creation Difficult Make Movie Period Unless White
Most directors have little lists in their heads of people they really want to work with.
ALAN PARKER

Director Head List Little Most People Really Want Work
I’m a pluralist. I’ve always argued that as many different films as possible should be made.
ALAN PARKER

Always Argue Different Film Made Many Pluralist Possible
A Great Movie Evolves when Everybody Has the Same Vision in Their Heads.
ALAN PARKER

Envolve Everybody Great Head Movie Same Vision
If you’d been where I’d been… if you’d seen the things I’d seen!… you… you’d be me… Or someone following me around.
ALAN PARKER

Around Been Follow Me Seen Something Thing
Film-making is a physically hard job.
ALAN PARKER

Fil Hard Job Make Physical
I’ve always been completely autocratic. I’ve never learned to be diplomatic or democratic.
ALAN PARKER

Always Autocratic Been Completely
I always argued against the auteur theory; films are a collaborative art form.
ALAN PARKER

Always Argue Art Auteur Collaborative Film Form Theory
I was once described by one of my critics as an aesthetic fascist.
ALAN PARKER

Aesthetic Critic Describe Fascist My One
It doesn’t matter what the technology is – no one will watch a Peter Greenaway film anyway.
ALAN PARKER

Anyway Greenwaym Film Matter No One Technology Watch
A lot of directors prefer the solitude of the editing process, but I revel in the craziness of what a film set is.
ALAN PARKER

Director Edit Lot Prefer Process Solitude

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