“And we use it to read album reviews and watch kitten videos… not to put those two things in the same light!”

But it’s not anything like what we envisioned it to be. It’s almost like there’s too much choice.

There’s this really amazing quote from Jim Jarmusch about celebrating your theft that I think has become more and more prominent in music.

I remember a time when I would hear a band and then want to hear everything that sounded like it;

I have this eerie feeling that by the time I’m 33, reality will not exist in the same plane as it did before.

There’s a very distinct difference between a really wonderful DIY label and a soft drink company, or a car company, or a clothing brand, and you will always understand that difference.

You can’t always just put color filters in 80s aerobic videos or take stuff from public-access and look at it in this very ironic, self-conscious way. That only takes you so far.

You should always choose your associations wisely because people create impressions around the music.

It makes you more choosy and also more receptive to absorb anything for 15 seconds.

I subscribe to the idea that personality is like a muscle.

So I wanted to create soundscapes that are evocative of places that only exist in your head – that’s where the fun, psychedelic stuff happens anyway.

Like the idea that every night might be the night before the world ends.

The Internet really does create this dimension around the music that’s always in relation to what else is happening at the moment.

It’s cool but also a little creepy.

There’s no real template to follow these days for what a band should and shouldn’t be – bands are just becoming these weird little Internet avatars that you either follow or download or interact with in some removed way.

When you completely extract yourself from anything familiar.

I think the Internet has a way of coaching you into this state of mind where you think that every step you make needs to completely supersede the last.

Everything that came later… the roots are all there in the first album.

I want to sell out arenas and make an album and work with some of the best artists in the world.

If I have a collection of songs for an EP or mixtape, I create the narrative afterwards; but usually with an album, I have a concept and the name first.

I’ve always felt like I was observing everything, like I’m just looking out of the window, peeping how everybody is living and just penning about it, so I made the album about that concept.

There’s always pressure on the second album – this one has to be the big one.

I would definitely want a hit record, but I still want the success to be around the album. Only the music can help me.

I always wanted to be on tour or making albums.

It wasn’t necessary to speak on the recession, you know what I mean, but I just though it made a lot of sense. I was like, “okay, cool,” I’m going to go with this approach for the name of the album [ The Recession].