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“It’s not where you got it from, it’s where you take it.” To me, that’s just an integral part of why I even bother making music.

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I never willfully want to write the same record twice, which is probably why I jump from project to project.
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“It’s not where you got it from, it’s where you take it.” To me, that’s just an integral part of why I even bother making music.
ALAN PALOMO

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I think the Internet has a way of coaching you into this state of mind where you think that every step you make needs to completely supersede the last.
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And sometimes you have to let it go limp and detach yourself from any associations.
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But I can’t ignore that there are things that inspire me, and I love celebrating those.
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And we use it to read album reviews and watch kitten videos… not to put those two things in the same light!
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There’s this really amazing quote from Jim Jarmusch about celebrating your theft that I think has become more and more prominent in music.
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I would’ve done when I was 16, like texting a really awkward “I like you” message to someone.
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There’s something really fun and spooky about that teenage feeling of narcissism or indestructibility.
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It’s difficult because it forces you to really get creative.
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Things are changing at such a rate that you really can’t get too familiar with anything that you own in relation to what sort of functionality it has in your life.
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Memory is just as much of an instrument as anything else in music.
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I wanted it to feel like I was tapping into a thing, even if it wasn’t.
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But it’s not anything like what we envisioned it to be. It’s almost like there’s too much choice.
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There’s a very distinct difference between a really wonderful DIY label and a soft drink company, or a car company, or a clothing brand, and you will always understand that difference.
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Let alone 15 minutes – to decide what you think about it.
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