For it is only habit and memory that dulls the physical passion. Without memory, each night is the first night, each morning is the first morning, each kiss and touch are the first.
ALAN LIGHTMANI spend a lot of time just listening to the ospreys. I watch them go through their life cycle. They spend the winter in South America.
More Alan Lightman Quotes
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I go to live in Maine for the summer. Without computer, and without the telephone service we are mercifully without the faxes and e-mails.
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Scientists turn reckless and mutter like gamblers who cannot stop betting. Scientists are buffoons, not because they are rational but because the cosmos is irrational.
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What I am very disturbed about is this trend of everything happening faster and faster and faster and there being more and more general noise in the world, and less and less time for quiet reflection on who we are, and where we’re going.
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I would think that you are more fluent with the rational. It has its appeal. But the irrational permits a greater exercise of … shall we say, power.
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You’ve made something grand, but it will be grander if it has feeling and beauty and harmony.
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Nature is purposeless. Nature simply is. We may find nature beautiful or terrible, but those feelings are human constructions. Such utter and complete mindlessness is hard for us to accept.
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Science is an intellectual journey, and to me, it’s not the destination.
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It is a world in which every word spoken speaks just to that moment, every glance given has only one meaning.
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When they are on their cell phones they are not where their bodies are…they are somewhere else in hyperspace. They are not grounded.
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We walk from room to room, look into the room that is lit, the present moment, then walk on. We do not know the rooms ahead, but we know we cannot change them. We are spectators of our lives.
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Despite our strongly felt kinship and oneness with nature, all the evidence suggests that nature doesn’t care one whit about us.
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My second novel, “Good Benito”, was not finished. I wished that I had spent another year with it.
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You make one good shot and it brings you back the next time. With writing a long book there has to be at least one bit that has some magic in it that you can go back to.
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One cannot walk down an avenue, converse with a friend, enter a building, browse beneath the sandstone arches of an old arcade without meeting an instrument of time.
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Children curse their parents for their wrinkled skin and hoarse voices. Those now old children also want to stop time, but at another time. They want to freeze their own children at the center of time.
ALAN LIGHTMAN