Sadness is no more than a bit of acid transfixed in the cerebellum.
ALAN LIGHTMANScience is an intellectual journey, and to me, it’s not the destination.
More Alan Lightman Quotes
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For me, consciousness is the most interesting unsolved problem of science, and, in fact, we may never know what it is about a particular arrangement of neurons that gives rise to consciousness. Our consciousness.
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Unfortunately, public debates do not have much room for subtlety. The audience wants a quick thrust at your opponent, not a slow and convoluted series of moves.
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And at the place where time stands still, one sees lovers kissing in the shadows of buildings, in a frozen embrace that will never let go.
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You can’t let your characters just be mouthpieces for your ideas. They have to live and breathe on their own.
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My writings are an exploration, and I think a lot of writers would tell you this, but in writing, you’re not simply putting down things that are already known to you. You’re actually discovering in the writing process, you’re actually creating knowledge.
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Or perhaps it is not because the cosmos is irrational but because they are rational. Who can say which, in an acausal world?
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“The Diagnosis” had ten drafts of very significant changing, where I went through the whole book, wholesale and changed everything. Then the last year or so it was making small changes.
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In a world without future, each moment is the end of the world.
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To that end, I believe that we should make room for both spiritual atheists and thinking believers.
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The mother and father osprey stay together. It’s a monogamous relationship. And every summer they raise a new brood of children.
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The loved one will never take his arms from where they are now, will never give back the bracelet of memories, will never journey afar from his lover, will never place himself in danger of self-sacrifice.
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Each time is true, but the truths are not the same.
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Sons never escape from the shadows of their fathers. Nor do daughters of their mothers. No one ever comes into his own…Such is the cost of immortality. No person is whole. No person is free.
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So many little lives, amounting to nothing. I ask you: What is infinity multiplied by zero? It is hardly worth our discussion.
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What I am very disturbed about is this trend of everything happening faster and faster and faster and there being more and more general noise in the world, and less and less time for quiet reflection on who we are, and where we’re going.
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I think all tragedies are best told with some humor. You have to relieve the darkness to let the reader get through it. Also, that life has happiness and sadness mixed together.
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Is it possible for a person to love without wanting love back? Is anything so pure? Or is love, by its nature, a reciprocity, like oceans and clouds, an evaporating of seawater and a replenishing by rain?
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It is true that the arts at MIT don’t have the same amount of funding or same status as the sciences or engineering.
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If you told a story that was all darkness, it wouldn’t be real.
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I think people all over the institution recognize that different ways of understanding are valuable. Artists may think in a different way than biologists or chemists, but you can learn something from that.
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They came back to the nest in the middle of April. They take separate vacations in the winter – the mother and father.
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All other giving is selfish. But he is being selfish a little, isn’t he, by wanting her to love him in return?
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We have a house on a very tiny island in Maine. Which is really my spiritual center. We’ve been going there for ten years, and it has no ferry service, no bridges, no telephone service. It’s really isolated.
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But what is the past? Could it be, the firmness of the past is just illusion? Could the past be a kaleidoscope, a pattern of images that shift with each disturbance of a sudden breeze, a laugh, a thought? And if the shift is everywhere, how would we know?
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There is a cultural diversity that’s very valuable, and it’s valuable to have different ways of looking at the world.
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The great ideas in science, like the Cro-Magnon paintings and the plays of Shakespeare, are part of our cultural heritage.
ALAN LIGHTMAN