You make one good shot and it brings you back the next time. With writing a long book there has to be at least one bit that has some magic in it that you can go back to.
ALAN LIGHTMANThe world is moving faster and faster, but where are we going?I think one of the reasons why things are getting blurry is because there is not much meaning.
More Alan Lightman Quotes
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Tornadoes, hurricanes, floods, earthquakes and volcanic eruptions happen without the slightest consideration for human inhabitants.
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Sadness is no more than a bit of acid transfixed in the cerebellum.
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Sons never escape from the shadows of their fathers. Nor do daughters of their mothers. No one ever comes into his own…Such is the cost of immortality. No person is whole. No person is free.
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A world with one month is a world of equality.
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And at the place where time stands still, one sees lovers kissing in the shadows of buildings, in a frozen embrace that will never let go.
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I think Joe Leiberman has been one of the leaders of the country… people have such a broad respect for him as a moral force.
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I was in New York and had lunch with Oliver Sachs and compared notes with him – he is someone I really like.
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Time is visible in all places. Clock towers, wristwatches, church bells divide years into months, months into days, days into hours, hours into seconds, each increment of time marching after the other in perfect succession.
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When they are on their cell phones they are not where their bodies are…they are somewhere else in hyperspace. They are not grounded.
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But what is the past? Could it be, the firmness of the past is just illusion? Could the past be a kaleidoscope, a pattern of images that shift with each disturbance of a sudden breeze, a laugh, a thought? And if the shift is everywhere, how would we know?
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Is anything so pure? Or is love, by its nature, a reciprocity, like oceans and clouds, an evaporating of seawater and a replenishing of rain?
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If you over-plot your book you strangle your characters. Your characters have to have enough freedom and life to be able to surprise you.
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I have for a long time loved fabulist, imaginative fiction, such as the writing of Italo Calvino, Jose Saramago, Michael Bulgakov, and Salman Rushdie.
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It’s not necessarily a large number of people that affect the culture. You don’t count the number of influential voices, you weigh them. A hundred people can affect the culture.
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To the point that I have to be careful that they don’t take over.
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